Keyword [Charlotte]
Result: 121 - 140 | Page: 7 of 8 |
| 121. | Voices of disobedience in the fiction of Charlotte Perkins Gilman, Kate Chopin, Edith Wharton, Nella Larsen, and Mary Austin |
| 122. | Accommodating feminism: Victorian fiction and the nineteenth-century women's movement (Anne Bronte, Elizabeth Gaskell, Charlotte Bronte, George Eliot) |
| 123. | Women, marriage, and madness in Jean Rhys's 'Wide Sargasso Sea', Virginia Woolf's 'Mrs. Dalloway', and Doris Lessing's 'The Golden Notebook', as seen through Charlotte Gilman Perkin's 'The Yellow Wallpaper' (Dominica, Zimbabwe) |
| 124. | Wandering women: Sexual and social stigma in the mid-Victorian novel (Charlotte Bronte, Charles Dickens, Thomas Hardy, George Eliot) |
| 125. | Developing a discipleship ministry at Port Charlotte Seventh-day Adventist Church (Florida) |
| 126. | Skirting bedlam: Women's autobiographies of mental illness (Charlotte Perkins Gilman, Zelda Fitzgerald, Susanna Kaysen, Kate Millett) |
| 127. | Constructions of national identity in the Victorian novel: Readings of six novels (Charlotte Bronte, Charles Dickens, George Eliot, H. Rider Haggard, Rudyard Kipling) |
| 128. | Victorian man-making: Shifting trends in Victorian masculinities in 'Jane Eyre', 'Shirley', and 'Middlemarch' (Charlotte Bronte, George Eliot) |
| 129. | Narrative theory and Romantic poetry (Charlotte Turner Smith, William Wordsworth, John Keats, Lord Byron) |
| 130. | Structure, deformation and thermal regime of the Queen Charlotte Transform Margin |
| 131. | Telling the story: Gender and narrative voice in the Victorian novel (Charles Dickens, Charlotte Bronte, George Eliot) |
| 132. | 'Going to hell to get the devil': The 'Charlotte Three' case and the decline of grassroots activism in 1970s Charlotte, North Carolina |
| 133. | 'Self-made' women: Envisioning feminine upward mobility in American literature, 1900--1930 (Theodore Dreiser, Charlotte Perkins Gilman, Edna Ferber, Willa Cather, Anzia Yezierska) |
| 134. | Searching for Mary Garth: The figure of the writing woman in Charlotte Bronte, Elizabeth Barrett Browning, E. M. Delafield, Barbara Pym, and Anita Brookner |
| 135. | Becoming conduct. Victorian women writers negotiating gender: Charlotte Bronte, Elizabeth Gaskell, Elizabeth Barrett Browning, George Eliot |
| 136. | Victorian legacies of beauty: Feminine beauty ideals in the fiction of Lady Blessington, Charlotte Bronte, Mary Elizabeth Braddon, and George Eliot |
| 137. | Spinning 'strange and flimsy fancies': Nineteenth-century superstition in novels by Thomas Hardy, Charlotte Bronte, and Mary Augusta Ward |
| 138. | Rethinking women/history/literature: A feminist investigation of disciplinarity in Lucy Hutchinson, Lady Mary Wortley Montagu, Charlotte Lennox, and Jane Austen |
| 139. | Gender and the reception of Victorian novels: Emily Bronte's 'Wuthering Heights', Anthony Trollope's 'Barchester Towers', Charles Reade's 'It Is Never Too Late To Mend', and Charlotte Yonge's 'The Heir of Redclyffe' |
| 140. | THE BODY POETIC: LANGUAGE AND MATERIALITY IN MODERN WOMEN'S NARRATIVE (CHARLOTTE PERKINS GILMAN, JEAN RHYS, DOMINICA, DORIS LESSING, ZIMBABWE, VIRGINIA WOOLF, ISAK DINESEN, DENMARK) |
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