Keyword [Anne] Result: 181 - 200 | Page: 10 of 10 |
181. | Anne Bronte's new women: 'Agnes Grey' and 'The Tenant of Wildfell Hall' as precursors of New Woman fiction |
182. | Reading the Bronte body: Disease, desire, and the constraints of culture (Anne Bronte, Charlotte Bronte, Emily Bronte) |
183. | 'How should one love?': Alternative love plots and their ethical implications in the Victorian novel (Henry James, Joseph Conrad, George Eliot, Charles Dickens, Anne Bronte) |
184. | Out of her place: Early modern exploration and female authorship (Anne, Queen of Denmark, Margaret Cavendish, Anne Hutchinson, Mary Rowlandson) |
185. | Accommodating feminism: Victorian fiction and the nineteenth-century women's movement (Anne Bronte, Elizabeth Gaskell, Charlotte Bronte, George Eliot) |
186. | Status, ideology, and identity: Class ambiguity in the humor of the Lowell 'Factory Girls,' Anne Royall, and Fanny Fern (Massachusetts) |
187. | Telling stories about the past: Reading history in the fictions of Marguerite Duras, Edouard Glissant, and Anne Hebert |
188. | Discarding dreams and legends: The short fiction of Elizabeth Madox Roberts, Flannery O'Connor, Katherine Anne Porter, and Eudora Welty |
189. | Inside/outside: Framing Katherine Anne Porter's creative tensions |
190. | Women's postmodern historical fiction: The art of reconstruction (Joan Didion, Susan Sontag, Jayne Anne Phillips) |
191. | Subversion, seduction, and the culture of consumption: The American gothic revisited in the work of Toni Morrison, Joyce Carol Oates, and Anne Rice |
192. | Sylvia Plath and Anne Sexton: Passion, perfection, and death through poetic confession |
193. | In defiance of the law: Women and 'justice' in American literature (Anne Hutchinson, Catharine Maria Sedgwick, Harriet Beecher Stowe, Harriet Jacobs, Toni Morrison, Sherley Ann Williams) |
194. | 'Her kind' and the canon: Anne Sexton's erotic poetry and body politics |
195. | Serious daring: Sylvia Plath and Anne Sexton |
196. | The theme of isolation in selected short fiction of Kate Chopin, Katherine Anne Porter, and Eudora Welty |
197. | The social and psychological relevance of Anne Rice's 'Queen of the Damned' and 'Pandora' in the context of Gothic tradition |
198. | Patriarchal voices and female authority in Katherine Anne Porter's Miranda stories |
199. | Politics, pacifism, and feminist liberation in the works of Katherine Anne Porter |
200. | Contextualizing Anne Sexton: Confessional process and feminist practice in 'The Complete Poems' |
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