Keyword [American Art]
Result: 41 - 60 | Page: 3 of 4 |
| 41. | Art or propaganda: A historical and critical analysis of African-American approaches to dramatic theory, 1900--1965 |
| 42. | Africa as Muse: The Visualization of Diaspora in African American Art, 1950--1980 |
| 43. | Through oceans of raw experiment: Holger Cahill and the road to American art 1887--1960 |
| 44. | From the ground up: Holger Cahill and the promotion of American art |
| 45. | Nature and progress: Winslow Homer, his critics and his oils, 1880--1900 |
| 46. | Skin deep: Authorship, authenticity, and picturing a self in American art since the 1970s |
| 47. | Strategies of institutional critique in recent American art |
| 48. | Speaking Out of Turn: Race, Gender, and Direct Address in American Art Museum |
| 49. | Reading the Gothic: American art and architecture in the age of Romantic literature, 1800--1850 |
| 50. | Contemporary African-American art in New York galleries and museums: Patterns of exclusion and inclusion in the 1990s |
| 51. | Articulating 'American': Text and image in American modernism |
| 52. | Materials that make a difference: 'Non -art' media and the hierarchy of art and craft in American art of the 1960s and 1970 |
| 53. | William Dunlap and the construction of an American art history: A study of the 'History of the Rise and Progress of the Arts of Design in the United States' (1834) |
| 54. | American an/aesthete: A study of aesthetes in American literature, from Edgar Allan Poe to Gilbert Sorrentino |
| 55. | The 'American School' in Paris: The repatriation of American art at the universal exposition of 1900 |
| 56. | Native American art and culture and the New York avant-garde, 1910-1950 |
| 57. | SADAKICHI HARTMANN: HERALD OF MODERNISM IN AMERICAN ART. (VOLUMES I AND II) (ART, PHOTOGRAPHY CRITICISM, SYMBOLISM, NINETEENTH CENTURY, NEW YORK) |
| 58. | Gamblers and grifters: Morality, economy, and identity in nineteenth-century American art |
| 59. | American Literary Regionalism and the Sister Arts: Local Color Outside the Lines |
| 60. | Other than Those Who Produce Me: The Post-1960s Turn towards Social Address in American Art |
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