Keyword ["Michael"]
Result: 181 - 200 | Page: 10 of 10 |
| 181. | Cryptic cartography: The poetry of Michael S. Harper and the geo -poetic impulse |
| 182. | Michael and George Peter Hillegas: German immigrant potters and prosperity in colonial Philadelphia |
| 183. | Heinrich von Kleists 'Michael Kohlhaas' und E. L. Doctorows 'Ragtime': Ein Vergleich unter besonderer Beruecksichtigung sozialer Verhaeltnisse und historischer Parallelen (German text) |
| 184. | Caryl Phillips, J. M. Coetzee, and Michael Ondaatje: Writing at the intersection of the postmodern and the postcolonial |
| 185. | The McClure chronicles: An inquiry into pathfinders for the digital age (Michael McClure) |
| 186. | 'American-type' formalism: The art criticism of Alfred H. Barr, Jr., Clement Greenberg, and Michael Fried |
| 187. | Der Zweite Weltkrieg und der Vietnamkrieg aus der Sicht der 'Verlierer': Ein Vergleich bundesdeutscher und amerikanischer Nachkriegsliteratur (German text, Lothar Guenther Buchheim, Wolfgang Borchert, Michael Herr, Ron Kovic) |
| 188. | The problem of the common good and the contemporary relevance of Thomas Aquinas (Saint, Michael Sandel, John Rawls, Charles De Koninck, Jacques Maritain) |
| 189. | Responses to Michael Fried's theories of theatricality in the visual arts: From modern to postmodern criticism |
| 190. | Truth in art: William Michael Rossetti and nineteenth-century realist criticis |
| 191. | Questioning truth: War and the art of writing in Ambrose Bierce, Stephen Crane, Michael Herr, and Tim O'Brien |
| 192. | The subversion of identity in D'Arcy McNickle's 'The Surrounded', Leslie Marmon Silko's 'Ceremony', Louise Erdrich's 'Love Medicine', and Michael Dorris' 'A Yellow Raft in Blue Water' |
| 193. | Michael Polanyi's integrative philosophy |
| 194. | Art history and intellectual history: Michael Baxandall's work between 1963 and 1985 |
| 195. | St. Michael's Indian residential school, 1894-1926: A study within a broader historical and ideological framework |
| 196. | Michael Walzer and social criticism |
| 197. | Volume I: The Composite Instrument: Pitch, Percussion, and Instrumental Transformation in Michael Colgrass's deja vu, Volume II: Symphony for Percussion Quartet and Wind Ensemble |
| 198. | The contribution of Michael Howard to international relations theory and strategic studies |
| 199. | Complex equality, relativism and critical perspective: Michael Walzer and his critics |
| 200. | A study of Johann Michael Haydn's church music and a performing analysis of 'Run, Ye Shepherds to the Light' ('Lauft, ihr Hirten allzugleich') for a recital performance |
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