Narrative Research Of New Chinese Spy Drama

Spy Drama is a type of film and television drama with the theme of espionage and underground activities and contains elements such as undercover agents,secret agents,suspense,love,and information exchange.Spy Drama has a special historical background and is a unique TV drama genre in my country.It is widely popular among TV audiences due to its strong plot,suspense,and fast-paced advantages.This article divides the development of Chinese Spy Drama into three stages: the anti-special film period,the traditional Spy Drama period,and the new Spy Drama period.The representative Spy Drama that appeared between 2009 and 2020 are used as research.Object,through the comparison of the vertical axis and horizontal axis of the time dimension,insight into the development and transformation of Spy Drama at the narrative level.Anti-special themes that appeared and became popular in the last century provide primitive prototypes and basic paradigms for the creation and development of Spy Drama,and have strong political attributes and ideological functions.In the period of traditional Spy Drama,constrained by the constraints of specific themes and a solemn form,the market acceptance and audience recognition of works have certain limitations.It wasn't until Latent(2009)and Pretender(2015)were successively broadcasted and became popular that the new spy war texts with the aesthetic characteristics of the times completely entered the mainstream public's field of vision,realizing the multiple value-added of communication and influence.Affected by consumerism,the direction of TV drama creation is affected to a certain extent by market demand,and it is basically dominated by the preferences of the audience behind the market.From the perspective of communication,film and television works are the specific information transmitted by the creator,and the audience is the audience in the communication process.Therefore,the study of Chinese new Spy Drama should not only interpret the text content from the perspective of narratology,but also use the theory of communication,combined with the changes in the social and cultural environment,to analyze the audience's increasingly updated psychological needs and aesthetic pursuits.The narrative expression of the new Spy Drama shows many characteristics that are full of zeitgeist and humanistic connotation.In terms of narrative strategy,the theme of the work is in line with the current mainstream ideological changes,and the weakening of the revolutionary narrative leaves enough space for the discussion of multiple themes;in the process of borrowing from the spy war text and mixing other film and television genres,it breaks the facial character The logic of portraying,constructing a three-dimensional and diverse group of characters,realizes the richness and acceptance of self-textual content,and also provides the audience with a multi-level aesthetic experience.In terms of the construction of the narrative mode,the story structure of the new Spy Drama has evolved from a single linear type to a complex multi-clue type.Through dense and diverse suspense settings and coincidence applications,it continues to attract the attention of the audience and stimulate curiosity and curiosity in the process of watching the movie.The thirst for knowledge;the organic combination,complementary use and appropriate conversion of the omniscience and limited perspectives,giving the audience a full range of aesthetic focus;by shaping the multi-variable and multi-dimensional narrative time and space,the narrative flexibility and text tension are enhanced.Looking forward to the future development,Chinese Spy Drama need to find a reasonable and innovative narrative between the twists and turns of genre and anti-genre,coordinate the application of spectacle experience and objective and true display,continue to absorb nutrients in the commercial context,and at the same time actively adhere to it.Positive value guidance.