Performance Development Of The Drunken Beauty

Since The Drunken Beauty appeared on the Peking Opera's stage,it has been favored by the performance market and sought after by urban and rural audiences.It has been widely spread among various types of tune and gradually grown into a classic drama that tries its best to highlight the characteristics of Chinese traditional opera performance and aesthetic style.From the three dimensions of script,tunes and performance,this thesis sorts out the overall performance evolution process of The Drunken Beauty in different opera types and different artists.The first chapter the Development In the Script of the Drunken Beauty mainly expounds the establishment of the text form of the Drunken Beauty,which includes lines,plots and characters created by Qingyang tune and Kunqu Opera,and continues to investigate the evolution path of this text form in other opera types.The second chapter the Development of the Drunken Beauty's Music mainly presents the continuation of Qingyang tune and Kunqu Opera in the tune development of The Drunken Beauty,and outline the evolution process of The Drunken Beauty in the Xipi-Erhuang tune and Luantan tune.The third chapter the Performing Development of the Drunken Beauty In Various Local Operas focus on represented by Liu Shune,Chen Bohua Han Opera's performing artists and represented by Xue Yanqiu,YangYouHe Chuan Opera's performing artists to the performing development of The Drunken Beauty,and briefly outline of Kunqu Opera and Hui Opera,Shao Opera,Jinghe Opera,Baling Opera,Qi Opera,Minxi-Han Opera performances of The Drunken Beauty transfer process.The fourth chapter the Performing Development of the Drunken Beauty in Peking Opera(1886-1949)and the fifth chapter the Performing Development of the Drunken Beauty in Peking Opera(after 1949)mainly presents the inheritance pedigree of The Drunken Beauty in Peking Opera and shows the interactive relationship between Mei school and The Drunken Beauty.