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Mei Lanfang "Drunken Beauty" Four Aria Pronunciation Articulation And Tunes Analysis

Posted on:2014-05-29Degree:MasterType:Thesis
Country:ChinaCandidate:Q C YeFull Text:PDF
GTID:2265330422453850Subject:School of music and dance
Abstract/Summary:PDF Full Text Request
Opera in our country has various types, the formation of Peking Opera tune and style in thelong-term historical development. Mei Lanfang on the basis of inheriting the essence of thetraditional Peking Opera, to innovate the Dan singing, speaking, physical performance, andformed its own unique artistic style, known as the "Mei school"."Drunken Beauty" is thetraditional repertoire of Mei School of art, Mei Lanfang’s contribution lies in singing, acting, infigure out to create, and delete the original play vulgar component, which has visual and auditorybeauty of classical repertoire.The author selected Mr. Mei recorded in1956opera film "Drunken Beauty" as theresearch object, based on the traditional opera and vocal music theory as a guide, the drama Yangflowers Pavilion "appointment" four arias are analyzed, focusing on the pronunciation enunciationand embellish cavity processing technology, to explore the feasibility of Mei school singing Artsin national vocal music practice the.
Keywords/Search Tags:mei lanfang, the drunken beauty, articulation, runqiang
PDF Full Text Request
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