The Analysis Of Gombrich's "Experimental Art" View

As a master of academic research in Western art history,Gombrich has unique accomplishments in terms of artistic thoughts and research methods: "making and matching","schema and correction","situation logic","fair of vanity field"," The theory of experimental art,etc.The relationship between these arguments is not a linear effect,but a cross-fusion of their respective concerns,each of which is required.In the theoretical works of the Western art of the 20 th century,which was described by Gombrich in "Artistic Story","Experimental Art-the first half of the 20 th century","experimental art" has its specific connotation;The experimental artists he chose in his works also have their specific tendencies.It is planned to analyze in depth from the perspectives of "production" and "imagery" Gombrich's view of the"experimental art",a concrete example of Gombrich's "experimental art" concept embodied in contemporary European and American artists' artistic creation.It is not only emphasizing realistic and classicism but also emphasizing the production of "functionality",in part,emphasizing modern art and paying attention to the "production" of materials.Gombrich's unique perspective,exact connotation,and coverage of modern and contemporary art in the"experimental art" concept of modern art in the first half of the 20 th century in the West,and the ideological tendencies of certain artists in the post-modern era share the same goal.This article is divided into the following sections:The introduction part briefly introduces the purpose and significance of the topic selection of this thesis.Combined with the relevant literatures on the study of Gombrich concept at home and abroad,this paper summarizes and analyzes the current research status of this argument,and uses the perspective of art theory to elaborate the research method of this article.In the first chapter,according to the perspective of linguistic analysis philosophy and analytical aesthetics,the writing text of the experimental painting of Gong Buxi is studied asthe object of text analysis.By comparing the so-called "perceptualism" theory of Gombrich with other theories about modern art,why does Gongmbich's idea of ?? "experimental art" oppose formalism in modern art,its semiotics,and women? What is the relationship between doctrine and sociology?The second chapter looks at the factors that embodies Gombrich's concept of“experimental art” in the contemporary art practice in Europe and America from two different perspectives: “production” and “staging” based on traditional schemata.Through Gombrich's different emphasis on modernist artists,he summed up the specific connotation of“experimental art”: artists began to consciously and consciously emphasize “making” and“imagery”.The importance attached to "production" and media has created a modeling canvas that has broken through the boundaries of sculpture and painting by breaking the traditional frame painting.Artists created from the perspective of "imagery" earnestly pursue the relationship between the reality and tradition of the image.In the creation,they attach importance to the traditional paths and images.The work embodies the consistent concept in Gongmbisi's artistic concept.The third chapter compares the Chinese contemporary "experimental art" with that of Gombrich's "experimental art" and bases itself on the "Chinese people's own traditions and experiences".It is right that they can say differently about the traditional definition.The acceptance of the concept of the "experimental art" of Blixi is still in the neutralization and has a strong social and cultural tactics.The various cases in this article show that Gombrich's concept of "experimental art" and its connotation are still extended in the contemporary era and collide with feminism,post-colonialism,semiotics,and other conceptual perspectives,and can be in-depth from different perspectives.Understand its "experimental art" and at the same time understand the British gentleman culture and the conservative artistic tradition on the basis of this concept.In contrast,terms such as “experimental art” and “experimental art” are undoubtedly closely related to Combrig in China.However,their connotations are quite different,and they passed the experimental art of Gombrich."Systematic analysis has revealed the practical implications of the concept of contemporary experimental art in China.