In The Similarities Exist The Differences,And Vice Versa’

Beethoven’s early music composing had followed the style of classic music represented by Haydn and Mozart, but in the progress of thoughts and personal life experiences under the constant influence, the characteristics of the romantic music style had been predicted and embodied during the middle and late period of his composing. Beethoven had been the combination of classical and romantic, formed its own unique musical language, was known as "the new age music genius" by later.In his whole life, Beethoven altogether produced five piano concertos. Among them, Piano Concerto No.3in C Minor(Op.37) and Piano Concerto No.4in G Major(Op.58) indicated and symbolized his transformation of composing style which was from classicism to romantism. This paper will compare and analysis the two piano concertos.By revealing the background of social and historical cultures in the late18th and early19th centuries, as well as the influence to both works impacted by his life experiences and idea of composing, the paper will gradually and deeply explore the similarities and differences.The paper is divided into three parts as follows.In The first part, it will briefly introduce Beethoven’s composing rode and the history of the development of piano concertosIn the second part, it will analyze creative style characteristics Piano Concerto No.3in C Minor’(Op.37) and Piano Concerto No.4in G Major(Op.58)In the third part, there will be a comparative study on the similarities and differences of the two piano concertos.