The Theory Of The Modernity Of JiangGuangCi Novel-revolutionary Narration

JiangGuangci is the pineer and founder of China’s proletarian literature,and his literary theory and art works represent the early level of proletarian literature.Modern revolution is the inevitable choice of Chinese revolution,and is also the main melody of JiangGuangci’s literary creation. JiangGuangCi novel narrative of the modernity of revolution embodied in the following four aspects:First, the modernity avant-garde namely, reflected in the modern city and new things on the description; Second, the modern revolutionary romantic imagination for the future of the revolution and fantasy; Third, the modernity revolution narrative and closely linked in love; Fourth, show the decadent and urban dark. This paper JiangGuangCi novel narrative as the starting point of the modernity of revolution, from narrating subject, narrative object and narrative carrier three parts of the specific interpretation.JiangGuangCi’s fiction of the narrative main body all with dual identity-men and young intellectuals. The male is the main body of the revolutionary life, male subject identity is a subsidiary of the establishment of the female identity achieved:first, women itself is not the business or for men to give up your career, concentration of male health life style; Second, the death of women, men for vengeance towards a revolutionary; Third, the male is confused the women spiritual mentor, led them out of the confusion of spirit. Youth is JiangGuangCi depicts intellectuals most successful character groups, to this group description can be divided into three stages:the first stage from1925to1927, JiangGuangCi description of the youth of knowledge has the characteristics of the mold, unified the shaping up as the "high, all" image, but seldom to young intellectuals to describe the psychology; The second stage is the sign of the start of the wild offering "published, until1929, youth intellectual image more diversification, lives; The third stage is1929years later to JiangGuangCi before she passed away, is no longer on the character of the revolutionary activities narrative report, but will shift the focus of writing to the shaping of the characters come up, the characters of the depict of more incisively and vividly.JiangGuangCi works of the main narrative object can be summarized as women and chivalrous complex two parts. Female image in the work of JiangGuangCi is as object of attachment to men but there, don’t have independent personality and dignity, female body works in plays the role of the three aspects:first, the author of the female body as a narrative strategy, reflects the personal and revolution, subjective will and history will, the unification of the Secondly, with the aid of the female body complete intellectuals of self expression, and self imagine; Finally, female body is male hero realize the concept of revolution carrier. JiangGuangCi life with chivalrous complex, from Chinese traditional chivalrous by complex, hero complex of his influence, this one complex into the unconscious and in the literary theory and literary creation of get deep reflect:first of all, on proletarian literature creation to pursue "force" of the make public; Second, JiangGuangCi claims on proletarian literature to create the revolutionaries personality should be revolution and chivalrous ideal combination; The third is JiangGuangCi special emphasis on the creation subject emotional force, believes that emotions said there should be rooted in the proletarian culture theory.Revolution’s grand narrative and "revolution+love" mode is the main carrier of JiangGuangCi novel narrative. JiangGuangCi started Chinese modern literature history of modern revolution grand narrative precedent, specific reflect in the following three aspects:first, looking for the structure model, the model that the trend of the modern revolution; Second, embodies the individualism to collectivism change; Finally, embodies the oppression and resistance of binary opposition of class struggle mode, this is the sign of modern revolution began."Revolution+love" refers to the revolution in the works in the narrative of plot and love, at the time to have the significant influence, first of all, a revolutionary narration a new page in the history of literature, it to the revolution and the expansion of the semantic explain again as the20th century revolutionary struggle inject new blood; Second, expanding the literary performance space, will liberation and social life closely integrated with the first large-scale drawing to the exploitation of workers and peasants PaiHe compressed image. JiangGuangCi "revolution+love" and other writers different:first of all, pays great attention to the performance of the modern urban life, and through the daily life to show the revolutionary discourse; Secondly, in the revolutionary discourse and daily life between words, revolutionary discourse has leading role; Finally, JiangGuangCi will usually be the hero of the anxiety and stray suppression in deep in the works, and the performance of the reader is positive and optimistic attitude towards life and the revolutionary spirit.JiangGuangCi as the first to promote and practice revolution literature, opening the literary history of the classic "revolution+love" mode, and working with its unique charm guide on the way of the revolution of youth, and the series of proletarian revolutionary literature contributions are indelible. Therefore, in the present reading JiangGuangCi again, we should abandon the influence of social ideology, working under the historical background of the society at that time, taking more attention in the social and historical transition period for the positive contribution of the literary field.