Language Arts, Creative And Contemporary Television Programs

"The spring gale, come up in the night, blowing open the petals of ten thousand pear trees."Just at one night, since the enriching of the contents and forms of TV programs and the development of the transmission consciousness and technology, a series of talk shows, commentaries and"talk"news programs start to rise, and the role of"audio language"in TV program creation is manifested . What's more, because of the arbitrariness of the environment when watching TV and the living rhythm which becomes quicker, the TV set becomes a machine that we are using to open when we are cooking, eating, chatting, and taking care of the baby. At that time, we are more like listening to the TV at leisure than watching TV dedicatedly. Only if we heard something interesting, will we turn to watch TV intently. Therefore, the up to now, the attention paid to TV has changed from"the art of watching"to"the art of listening".But, we must admit that at the same time of the development of the audio language, there also occur many phenomenon not standard and not artistic, lacking the theoretical summary and guidance in the creation practice. This paper will focus on the problems in the process of the audio language of the TV programs. Summarize the general creation requirements of the audio language, discuss and study the art pursuit and culture pursuit of it. This thesis will do the discussion from the following four aspects:Part one: The status, function and current station of the audio language of TV programs. Because of the limitation of the pictures, the audio language take a great part in TV program creation, its functions include extending the scene, supplement the scene, dig the deep meaning of the scene, romance the atmosphere, sublime the subject, realize language montage by connecting the scenes, and have a favoring transition. However, there are also many shortages during the quick development of the voice language, such as the nonstandard of the pronunciation, grammar, lexicon, rhetoric and logic; the increasingly intense of the vulgar and similar speech, the lacking of the artistry; even there are often some commonsensible mistakes which mislead the audience. Part two:Summarize the general creation requirements of the audio language of the TV programs. This part will mainly summarize the cooperation of the audio language and the scene, and the standard requirements of the audio language itself.Part three: The artistic pursuit of the audio language of TV programs. Nowadays, the language of TV programs has the problems of vulgarity and low artistry. This part will analyze how to make the audio language artistic by giving examples, and it includes how to express what we mean to the audience straightly, kindly and accurately, how to make the language moving, attractive and rhythmic, and how to make the audio language vivid and interesting.Part four:The cultural pursuit of the audio language of TV programs. The imitation and similarity phenomenon of TV programs become more and more prominent and the creation of voice language lack its own character. This part will analyze how to make the audio language have a cultural connotation by offering plenty of examples. It will include how to make TV programs of different types have a different style, programs of different areas have their own regional feature, and programs of different time have a different era character.This thesis will study the rules and methods of creating the audio language of TV programs mainly by proposing and solving the problems, and hope to have the function of guiding the creation practice. According to the diversity of the subject matters and forms of the TV programs, and the different ways of using and disposing the audio language, the contents can not be wholly referred to. And the creation of language has no fixed rule, we can not say you must do this or you can not do that, we can only say, how to do it more properly. We can only judge the thing according to the condition and environment which need us to be flexible and quick-witted in the practice.