Mei Lanfang And Kandinsky Art Performing Comparison Research

Between the artistic external form and the intrinsic spirit has the inevitable relation. This kind relates whether is suitable for different state, different class art? Based on such question, this article chose has solved question one "the shortcut", namely "in the surface asked, to hit the mark asks the line", in a short time obtained predecessor's experience to draw the conclusion. The present paper chose inquired into East and West extremely had representative artist - - Mei Lanfang and the Kandinsky, tried hard through the two in art manifestation comparison research, elaborated the form and the spiritual subtle relation, finally sought in the different artistic form and the spiritual common spot.This article altogether divides into four parts, the paper altogether is divided three chapters besides the introduction and the conclusion. First chapter is analyzes Mei Lanfang and Kandinsky "the Boner audiences is long" and in the artistic creation in the artistic absorption "establishes a new school", pointed out they "epitomize" in respective domain. Second chapter is comparative analysis Mei Lanfang and the Kandinsky modelling language, through compares, although the author discovers two artistic masters to come from different state, is different artistic class typical representative, but they all are interlinked in very many aspects, and summarizes in three points: between two points of surface modelling Kandinsky and Mei Lanfang; Second, melody of an aria of modelling and music of modelling Kandinsky and Mei Lanfang; Third, character of modelling and color of modelling Kandinsky and Mei Lanfang. Summarizes: As a result of each kind of artistic form difference, thus lives when the reflection and criticizes the life, has own set of techniques. This set of artistic technique is and expresses the content with any artistic material to restrict. An artist, when also utilizes the identical kind of artistic material performance life, portrays the character displays the oneself unique style. Style, also in turn influence art creation idea. Third chapter is through compares Mei Lanfang and the Kandinsky art to the modelling language characteristic, altogether divides into two parts, one for enjoyable and symbol; Two for freedom and release. Finally summarizes: The external form function in the intrinsic appearance, is the artist intrinsic spirit external manifests. Conclusion part, discussion end of the rainy season Lanfang and Kandinsky art in "form and spirit" on perfect engagement; In the present stage China present age art domain has many problems, art manifestation and the intrinsic spirit comes apart is most important aspect, the spiritual dissociation outside the formal language. Therefore artist when creation, should seek is suitable for to indicate conforms to the intrinsic spiritual external form, and lets art have one kind of world attribute.