Study Of Royal Poets Of Qing Dynasty

This article takes the Royal Poets of Qing Dynasty as the research object,and uses the historical process of the Qing Dynasty evolution as the basic clue to outline the basic track of the formation,development,maturity and disappearance of the Royal Poets of Qing Dynasty.Case analysis of creative practice,artistic style and creative mentality.The historical interaction between poetry and power and the integration of Manchu and Han culture is the macro perspective adopted in this study.This macro perspective is combined with case studies and on this basis,the depth of poet case studies is promoted.The introduction clarifies the basic concepts of the Royal Poets and its historical particularity compared with the previous dynasty poets of the Royal by combining the Qing Dynasty's "political rule" strategy,and deeply analyzes the Qing Dynasty Zhu from the three aspects of politics,psychology and culture.The formation factors of Di poetry group.The first chapter is represented by four Royal literati,Yue Duan,Bo Erdu,Sai Erhe,and Wen Zhao,and discusses the basic characteristics of poetic creation,poetic style and spiritual interest of the Royal Poets of Qing Dynasty.The early Royal Poets of Qing Dynasty are still in the stage of imitating and learning to walk the Han poetry circle.Their poetic ideas,poetic creation,and poetic skills originated from the unilateral acceptance of the Han cultural elites.Their enthusiasm for poetic creation originated from the lingering influence of the external political environment,not from the smoothness of the political environment.The conscious management of personal life style,the many unease and resentment in his poems and essays,show that this group has not yet completed the conscious turn in the pursuit of life and spiritual posture.The second chapter uses Yun Xi,Hong Zhou,Hong Xiao,Yong Xing,Yong En as the coordinates to discuss the poetic concept,poetic practice,poetic style and spiritual orientation of the Royal Poets in the Kang-Qian heyday.The enthusiasm of the Royal groups for poetry creation in this period was mainly based on the real perception of political reality and internal physical examination,so they made calm self-selection.Therefore,we summarize the group of the Royal Poets in this period as "rich idlers" who indulge in poetry and wine and indulge in Buddhism.Between them and the imperial power,they maintained a certain situation and situation that seemed close to but far away,and seemed to be dense and sparse.On the one hand,they are still in the core area of the radiation of imperial power,and on the other hand,it is precisely for this reason that they maintain a sober fear of imperial power.Therefore,during this period,the Royal Poets intended to achieve the inner slippage of self-life and power core through poetry,wine and Zen fun at the core of power.Most of their poems maintain a certain purely "elegant" style,such as Yun Xi,Yong Xing,and Hong Zhou.The prince poets intend to open up a poetic space for survival in the core area of power,but the mellow skill and the delicate and gentle emotional experience cannot conceal the emptiness and sparseness and sparseness of the prince's poetry group in the poetry,poetry,and even the ideological content.Weakness,so Zhu Di's poetry group failed in spiritual posture and life turn during this period.The third chapter takes Heng Ren,Yong Zhong,Yong Hui,Dun Min,and Dun Cheng as the main body,discussing the poems of the royal family and imperial power.As an idle Royal thrown away from the core of power,this group has homogeneity in spiritual inclinations,poetic ideas and aesthetic characteristics.Poetry creation has become an internal part of the psychological structure and life style of this group.With the life experience gained from poetry creation,they finally achieved a true spiritual transcendence over the political power of reality.The spiritual posture finally completed the essential turn in the true sense."Neither shirt nor footwear" has become their natural choice based on their personal life style.The eccentric tendency derived from the interaction of power struggle and cultural strategy in the Royal groups of the Qing Dynasty finally produced a certain sudden change in the Royal groups of this period.The fourth chapter takes Zhao Lian,Yi Hui and Yu Rui as the main body,discusses the basic tendency of the poetry creation of the Royal poets in Jia and Dao period and their inner spiritual orientation.Most of the poetry creation in this period has the realism of "actual record" and "actual writing",which is true for Zhao Lian and Yi Hui.This shows that they have reached a historical confluence in spirit and emotion with the Han scholars.Not only possessed the spiritual self-sufficiency and personality independence of the traditional Han scholars,but also through the continuous infiltration and washing of poetic traditions,they have always maintained a certain sensitivity and insight to the gloom of reality and potential crises,so they are often The "stalker" who was the first to awaken in his own time.They turned to poetry and wine demonstrates that the special group of Royal cultural elites will inevitably fall into a certain tragic fate under the ruthless erosion of historical evolution.This fate will be for the last Royal poets such as Bao Ting and Sheng Yu.The fifth chapter takes Bao Ting,Sheng Yu,Shan Qi and other last-generation poets as the main body,expounds the poetry creation activities of the Royal Poets of Qing Dynasty in the late Qing Dynasty and the historical reality of the Royal Poets of Qing Dynasty 's final disappearance.This period was the last active period in the development of the Royal Poets after which the the Royal Poets in the true sense no longer existed.This period is not only the end of the Qing Dynasty,but also the end of the entire Chinese feudal history.Therefore,it not only means the extinction of the Royal Poets of Qing Dynasty that was in its peak and far surpassed the previous generation,but also means the historical end of the true Royal poet group itself.So far,the trajectory of the thoughts and behaviors of this group has just unconsciously completed a historical cycle.They had to face the pain of national subjugation and the historical pain of the end of feudal history.At the same time,with the end of Chinese poetry and cultural traditions,their cultural access to obtain spiritual sustenance and manage the spiritual world has become imbalanced.Disillusionment and disappointment constituted the basic characteristics of the Royal poetry style of this period.The abolition like Bao Ting,the sorrow like Sheng Yu,and the pretending tragedy like Shan Qi were tragic fate for the Royal poets,a special cultural group.The history is just a footnote.Due to various restrictions unique to the Royal literati,the Royal Poets of Qing Dynasty were unable to straighten out their internal conflicts between their spiritual aspirations and actual existence,and were unable to achieve conscious management of personal life style in order to be smoothly organized of poetic survival.