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Improving the public: Cultural and typological change in nineteenth-century libraries

Posted on:2010-10-22Degree:Ph.DType:Dissertation
University:City University of New YorkCandidate:Lord, Jill MarieFull Text:PDF
GTID:1448390002979024Subject:Art history
Abstract/Summary:
Concurrent with New York City’s emergence during the nineteenth century as the leading financial and cultural center in the United States, the city’s public library architecture underwent a transition from buildings designed in romantic revival styles to monumental, neoclassical edifices that were intended by their architects and patrons to rival municipal libraries in other cities. New York’s Astor Library, founded in 1848, was the first public library in the United States, and although its Romanesque Revival architecture was not a model for later libraries, its existence spurred the establishment of other public libraries. Before then access to all other libraries in the city required either membership in a particular group, such as a trade union, or a fee. The Neo-Grec design for the Lenox Library, founded in 1870, pushed public library design toward that of other emerging cultural institutions such as art museums in that it used similar forms. These two libraries, along with ;The New York Public Library was one of the last, large public libraries built in the United States during the Gilded Age. Other rival cities such as Boston and Chicago completed libraries prior to the consolidation of the New York Public Library. As a result, its architects had the benefit of studying these other institutions in order to determine what characteristics should be incorporated into the new building, and what should be avoided. New York Public Library represents the culmination of the public library type in New York City.
Keywords/Search Tags:Public, New york, Libraries, Cultural
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