A Study On The Game Design Of Chinese Characters Based On Visual Interest

Among traditional Chinese visual poetry,there is a poetic genre that embodies the philosophy of traditional Chinese cyclic time,and it is a poetic genre that transmits the scenery of the four seasons and creates the mood of the cycle of the four seasons through the Chinese character game of "repetition".However,because of its marginal and niche position in poetic history,it is often neglected by researchers.The article explores the possibility of applying the rules of Chinese character play to visual communication design,and considers how to give new vitality to traditional poetic culture.The article takes Chinese character playful design as the object of study,firstly,it composes a classification of the visual forms presented by the four seasons iambic poems through the laws of Chinese character arrangement,and integrates the theoretical sources of Chinese character playful design through the discussion of their visual interest.We then list the iambic poetic forms in the context of the cyclical view of time and the comparable Western word games,and compare and contrast the commonalities and differences between Chinese and Western word games from the perspective of playfulness.The design of playful Chinese characters in the iambic poem of the four seasons is elaborated,and the multi-media visual expression of playful Chinese characters is discussed from the perspectives of graphic,dynamic and spatial design.Finally,the most important research value of this topic is to explore the reference value of Chinese character playful design in the context of visual communication design for the modern interpretation of the Four Seasons iambic poem.This study presents a new interpretation of the four seasons iambic poem based on the Chinese context from the perspective of Chinese character playful visual interest,aiming to explore the commonalities between traditional poetics and visual communication design and to propose systematic application methods and expression possibilities,in order to inherit the essence of traditional Chinese poetics and to add to the field of Chinese character design research.