| Zhangcao is an important link in the evolution of Chinese character form from official script to modern script,and also a key link in the transformation of Chinese character calligraphy from practical writing to personalized artistic writing.However,there are very few handwritten works of Zhang Cao that have been passed down during the Han and Wei dynasties.As a representative work of Zhang Cao,"Pingfu Tie" is of great importance in both calligraphy and historical relics.However,the relative lack of creative elements undoubtedly restricts the richness and diversity of learning Zhang Cao’s methods.Therefore,exploring and borrowing the same type of Jian Du cursive script as the "Pingfu Tie" and exploring the rich connotations and implications of Zhang Cao’s imitation creation can provide new ideas and content for the study and creation of contemporary Zhang Cao.Dunhuang Han Dynasty Jian Du cursive script has become an important direction for research and exploration of Zhang Cao due to its early age,high degree of cursive transformation,and rich font structure.This article compares and analyzes the cursive script of the bamboo slips in "Pingfu Tie" and Dunhuang "Maquan Wan",and clarifies that the creative elements in the cursive script of the bamboo slips in "Maquan Wan" can provide important references for the creation of the same type of cursive script in "Pingfu Tie",and can effectively enhance the richness and charm of the cursive script creation.By sorting out the relevant historical background and stylistic characteristics of "Pingfu Tie",This article elaborates on the author’s experience of drawing on the excellent copying works of predecessors to carry out their own copying creation,and proposes further thoughts and prospects.The article provides a more in-depth analysis of the writing characteristics and artistic value of Ma Quanwan Han Jian cursive script.By refining and analyzing the elements of its cursive script creation,it has gained a deeper understanding of the art of cursive script during the Han and Wei dynasties,and a more comprehensive understanding of the source of modern cursive script.This will provide useful references and ideas for future cursive script practice creation.During the writing process of this article and the creation of my graduation work,many shortcomings were also discovered.For example,the enlarged writing of representative works was to explore the historical discourse of "chapter does not fill inch",and it was obvious that the technique was not refined enough when creating large character Zhang Cao.The cursive script materials in the Han bamboo slips are very rich,and there is more to learn from.Specific exploration and analysis are needed,and there is still a lot of room for development. |