Research On The Remake Of Japanese Comedy Films In Chinese Mainland(2015-2021)

At present,the academic circles have not combed and analyzed the Japanese comedy films remade in Chinese mainland in an all-round way,nor have they probed into the differences between them and original films.Since 2015,the Chinese mainland remakes the Japanese comedy movie frequently to appear,this has reflected our country comedy movie original script power insufficient dilemma.This paper chooses the Japanese comedy films reproduced in Chinese mainland as the main object of study,and the main research purposes are as follows: sort out the Japanese comedy films reproduced in Chinese mainland;sort out the content localization rewriting and form localization rearrangement in the process of Japanese comedy films reproduced in Chinese mainland;and explore the deep cultural motivation behind the localization creation;and combine the audience research of Japanese comedy films reproduced in Chinese mainland to show the status quo of Japanese comedy films reproduced in Chinese mainland from market,film and audience.The first chapter gives a general overview of the remake of Japanese comedy films in Chinese mainland,reviews the history of the remake of Japanese comedy films in Chinese mainland,and discusses why comedy has become the preferred type of remake of Japanese films in Chinese mainland.The second chapter remakes the Japanese comedy movie content localization from the mainland remakes the Japanese comedy movie the theme,the character,the plot,the narration and the symbol expression and so on.The third chapter is about the localization of the form of Japanese comedy films remade in Chinese mainland.This chapter explores the changes of Japanese films remade in Chinese mainland,including the change of camera language and the innovation of audio-visual language.The fourth chapter explores the deep cultural motivation behind the differences between Chinese comedy films and Japanese films in terms of cultural background,values and gender relations.In the last chapter uses a combination of quantitative and qualitative methods to conduct audience sentiment analysis research on audiences who have watched remakes of Japanese comedy films in Chinese mainland.The in-depth interviews of the audience can draw the audience’s cognition,attitude and behavior towards the remake of Japanese comedy films in Chinese mainland.The conclusion part,then mainly is makes a system,the comprehensive appraisal to the Chinese mainland remakes the Japanese comedy movie.In a word,the creators in our country should not copy the original films blindly when they make remake films,but on the basis of grasping the spirit of the original films,carry out the theme expression and localization adaptation in line with the characteristics of the times.Remakes the movie is not the so-called flow sharp weapon,the audience already had certain cognition and the judgment to remakes the movie.Therefore,film creators should pay more attention to the quality of the film,carefully create the content of the story,using good film language to tell good stories,to win the favor of the audience.