Research On The Image Of Xinjiang In Chinese Films In The New Period

With the rapid development of all fields of Chinese society in the new period of“Reform and opening up”,People’s growing spiritual and cultural needs are increasing day by day.In the aspect of entertainment and propaganda,the social influence of Chinese film is gradually strengthened,and the film has gradually become an important means in the process of Chinese People’s spiritual civilization construction.At the same time,Xinjiang’s status as an important treasure house of Chinese ethnic culture in the new era has been established and increasingly strengthened,Xinjiang and the Han ethnic group living in this land,the life of the ethnic minorities have become the object of worldwide attention,the image of Xinjiang has become an important issue in China’s literary and art circles.In the field of film,the screen image of Xinjiang is presented,which contains many problems worthy of further study: for example,the significance,ways,gains and losses of the screen image of Xinjiang,there are film talents on the specific construction of the imagination of Xinjiang,different types of film works on the image of Xinjiang,and so on.Based on this,this article from many aspects,the study of Chinese films since the new period of the image of Xinjiang.First of all,through the introduction and overview of the chapter,to explain the“Image of Xinjiang”,“Imagination of Xinjiang” and other concepts of the deep meaning and significance of research,as well as ethnic minority films easy to confuse the relevant concepts of discrimination;Then it analyzes the various images of Xinjiang in the local minority films and non-minority films since the new period,and through some film cases,specifically analyzing the images of Xinjiang in the commercial films,the main theme films and other types of film works created by some non-xinjiang film authors,in this way,we can see the construction of Xinjiang’s screen image under the“Foreign field of vision”.In addition,this article uses special chapters to analyze the“Modernity” character of Xinjiang ethnic minority films in the new era,so as to explore the evolution of the material life and spiritual outlook of Xinjiang ethnic proletariat since the new era Finally,this paper points out some suggestions and concrete plans for the development of Xinjiang Film and television industry,aiming at providing feasible solutions for the development of Xinjiang Film and television industry.