Analysis Of The Performance Of Mozart's Symphony On The Electronic Orga

Wolfgang Amadeus Mozart was a world-renowned classical composer.In the short span of 35 years of his life,he gave the world more than 600 musical works in almost every genre of his time.It is worth noting that most of the composer’s symphonies were vibrant,exuberant and glorious works in major keys,and only two symphonies in minor keys were written-namely Symphony No.25 in g minor,K.183,in his early years,and Symphony No.40 in g minor,K.550,in his later years.These two works are therefore unique among his symphonic works,like a splash of colour in a cluster of beautiful flowers,and have been of great interest to performers and theoreticians of composition technique since their inception,and are of great practical and theoretical value.In the long history of electronic organ education and performance,as the performance of symphonic works from the classical period is an important part of the process of learning the organ,the above two works also occupy an important place and are still favoured by many practitioners and performers of the organ.This article combines the professional learning experience and practical experience of playing the electronic organ with Mozart’s Symphony No.25 in G minor as the object of study.The study explores the path of effective integration of the electronic organ with classical orchestral works,with the hope of achieving the best possible artistic interpretation of similar works.