| Inner Mongolia Autonomous Region has a vast territory and unique natural conditions that breed excellent ethnic musicians,resulting in a large number of excellent Mongolian music works.Grassland style creative songs are famous for their melodious melody,wide range of sounds,and rich emotions.They not only reflect the bold,vigorous,and tenacious spiritual character of nomadic peoples,but also express the emotional characteristics of delicacy,warmth,and tenderness,allowing the audience to appreciate the Mongolian music art and appreciate the profound grassland culture in their unique music works.In recent years,with the development of the construction of the music discipline and the emphasis on grassland culture,the popularity of grassland style songs has become increasingly high,and the public is familiar with grassland songs such as "The Carved Saddle","I Am a River",and "The White Cloud Group".These works are all written by Jia Jiagui,a composer from the Left-wing Rear Banner of Horqin,Tongliao City,Inner Mongolia.This article takes his work "Can’t Walk Out of the Grassland" as the research object to conduct musical analysis and singing interpretation.It is mainly divided into three chapters for writing.The first chapter is a brief introduction to the writers and works of Ci and Qu.I mainly study the valuable musical creation style and works of composers,taking "Unable to Walk Out of the Grassland" as an example.This work was awarded the Excellent Work Award of the 10 th "Five One Project" for the construction of spiritual civilization in the autonomous region in 2009,making the research of the article more meaningful.The second chapter is the music analysis of the work "Can’t Walk Out of the Grassland",which analyzes the music structure,music style,and lyrics content of the work from three aspects,aiming to promote the mastery of macro practice through the study of micro details of the work.The third chapter is the singing interpretation of "Can’t Walk Out of the Grassland",which is the focus of the full text.Based on the professional knowledge learned by myself,the author interprets the use of singing skills,the expression of singing emotions,and the comparison of multiple singing versions of the works,and guides my own practice by comparing and analyzing the essence of different versions of singing.I hope this article can provide theoretical support and practical reference for singers who sing this work and this style of work. |