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Innovative Application Of The Wealth God Image In China-chic Clothing

Posted on:2024-06-10Degree:MasterType:Thesis
Country:ChinaCandidate:Q J KongFull Text:PDF
GTID:2531307115994889Subject:art
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With the development of the times and the improvement of the economic level,the image of the financial god is becoming more and more popular.People place their hopes for a better life on the god of wealth.Through market research,it is found that although the image of God of Wealth has been used in modern cultural creative products,it is not as popular as expected,and the image is relatively simple,the expression is not rich enough,and it is rare in the field of clothing.In view of this phenomenon,the reason may be that the god of wealth system is complex,the image is complex,and there is no innovative design method to connect the traditional and modern.The purpose of this study is to understand and clarify the connotation of the God of Wealth culture and its artistic language,explore a new way to combine traditional culture with China-Chic costumes,by digging deeper into the value of Zaishin culture,we hope to find a new direction for the transmission and development of traditional culture.Through literature review and analysis,on-site investigation records,interviews with temple monks,and other methods,it was found that the God of Wealth culture was a traditional auspicious culture that rapidly developed from the Song Dynasty to the Ming and Qing dynasties.The second chapter specifically describes that the Wen Cai Shen usually has a warm red color tone,a fair and round face,and the majority of statues with kind looks and good eyes are usually in a sitting position;The martial god of wealth is mainly composed of cool green or black,with a raging head and showcasing the demeanor of a military general on his face.His statue poses are also diverse and diverse;The folk god of wealth,Liu Hai Chan,is often paired with Jin Chan,with copper coin strings and purple gold gourds as accessories;The most obvious characteristics of the Tibetan God of Wealth statue are anger and holding a spitting treasure mouse.Through the analysis of innovative design of the God of Wealth in the three fields of graphic,product,and clothing design,it is concluded that the God of Wealth has design methods such as simplification,cartoon,symbol,and IP joint naming in modern design.Based on research,investigation,and analysis,existing design methods are identified,and they are continued and innovated.Exploring the possibility of combining the image of the God of Wealth with modern elements through new design techniques,conducting experiments on modern techniques such as foam printing,digital printing,patchwork,and innovative patterns through experimental methods,and obtaining practical strength for the combination of new techniques and patterns.Finally,in the practice of clothing design,modern popular elements such as figures in New Year pictures,street hip-hop,hip-hop,skateboard,graffiti and so on are used as inspiration sources to flexibly apply different innovative patterns and different techniques to the design of China-Chic clothing series.The article systematically arranges the shape of God of Wealth,completes the knowledge system of plastic arts of God of Wealth,and provides useful materials for the study,reference and application of modern design.With China-Chic costumes as the carrier,the collision between tradition and fashion,and the communication between ancient and modern times have enriched the Chinese traditional national characteristics of China-Chic costumes,and also made the traditional culture contain new fashion culture,and inherit and carry forward the Chinese traditional culture.
Keywords/Search Tags:The image of the god of wealth, Pattern redesign, China-Chic clothing, Creative thinking, clothing design
PDF Full Text Request
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