Research On The Phenomenon Of Creation Of Contemporary Urban Ink Figure Painting

With the advent of reform and opening up and urbanization,ink figure painting has gradually broken away from the revolutionary theme of "realism",and painters who take urban figures as their creation themes continue to emerge,such as: Liu Qinghe,Tian Liming,Lei Ziren,Li Jin,Wang Yanping,Li Xiaoxuan,Zhou Jingxin and so on,most of them had been influenced by the knowledge structure of the academic school,and then explored new artistic language through their keen artistic perception.The phenomenon of its creation can be analyzed from four perspectives:first,the new urban life brings different emotional experience to people,which makes the urban ink painting figure painters pay more attention to the spiritual exploration in the expression of emotion and concept,showing the concern from "group" to "individual";Secondly,due to the influence of "contemporary art" and "contemporary ink painting",Chinese and Western painting concepts are integrated in the modeling and expression of the painting form of ink figure painting,so that the figure painting has more contemporary form sense;Third,in order to break through the solidification of traditional ink and brush and find a painting language suitable for expressing contemporary urbanites,artists began to deconstruct traditional ink and brush and try to construct a new language on the basis of traditional language.The development of ink and wash art is a new attempt,and the level of its artistic value still needs to experience the evidence of time.From the judgment of the current academic circle,it can be seen that there are different opinions,but it can clearly affirm the pioneering and forward-looking nature of contemporary urban ink and wash figure painting in the field of ink and wash figure painting.Urban ink figure painting has indeed made a big step forward in the structure of traditional ink language,and has made new breakthroughs in the exploration of formal language.However,it is easy to go to extremes at the same time,losing the artistic essence and the spirit of Chinese art.It is the most practical and feasible way to find the pen,ink and formal language that belong to The Times as well as oneself in practical exploration.