| This paper takes the "Lahua" dances of Jingxing Dongnanzheng and Zhuangwang as the research objects,and from the perspective of comparative research,makes a comparative analysis of the lahua dance forms in the two places,and reveals the main points of the lahua dance forms in the two places: Lahua performances are based on male and female pas de deux performances in a six-person dance team.Due to the differences in role identities and props,they have formed their own differences,which led to the two places’ lahua dance movements showing their own characteristics.The southeast decent shows the action characteristics of the male character’s "end,flip,toss,twist,and turn" and the female character’s "point,lift,pull,buckle,and swipe".The Zhuangwang School presents the action characteristics of the male role of "hooking,flipping,pushing,flinging,and lifting" and the female role’s "hooking,flinging,twisting,shaking,and grinding".It is also the respective characteristics of the dance movements that make the lahua performance styles of the two places on the basis of commonality.The author further compares the status quo of lahua inheritance in the two places,analyzes the problems in the inheritance,and puts forward corresponding opinions on the inheritance and development path of Jingxing "lahua" dance.The research of this paper attempts to have a more comprehensive and detailed interpretation and understanding of Jingxing’s "Lahua" dance,so as to provide a theoretical basis for further in-depth exploration of "Lahua" dance,so that this excellent traditional culture can continue to be inherited and carried forward. |
