On The Inspiration Of The Use Of Color In Chinese Painting To The Color Of Erhu Performance ——Take Riverside Scene At Qingming Festival As An Example

The influx of western modern cultural thoughts into China has impacted Chinese culture.Under such cultural background,the art form is no longer single,but begins to show the situation of the integration of various art and cultural forms.In the face of the rise and influx of many cultures,in the new era,it is necessary to take its essence and discard its dross,and carry out integration and innovation without losing the traditional characteristics,to form both traditional and modern aesthetic feeling.Chinese traditional painting,referred to as "Chinese painting",has a long history and context in China.Traditional Chinese Musical Instruments,referred to as "Guo-yue",are found to be related and connected with each other,such as line,rhythm,color,artistic conception and space,etc.I will mainly elaborate on color.In terms of the expression from the traditional perspective,the color of Traditional Chinese painting is more oriented to the use of "ink" to mediate the formation of light ink,thick ink and other "ink is divided into five colors".The second is spirituality and philosophical reflection.With the change of The Times,western art has poured into China,and the culture brought by it has gradually changed its aesthetic quality.The more it tends to diversify,and the proportion and significance of color in Traditional Chinese painting has changed.From the modern point of view of the expression of its color orientation one into modern color composition,the ink is separated out to present "ink" and "color",the sum of the two to give people the overall color feeling;The second is the modern aesthetic feeling in subjective emotion and aesthetic appreciation.This is a new breakthrough for Chinese painting.Theoretically,Traditional Chinese music and traditional Chinese painting are two separate categories of art,but they are inextricably linked in both auditory and visual perspectives.Both Traditional Chinese painting and traditional Music can attract people’s visual and auditory senses through color changes.Traditional Chinese painting through color changes to the picture on paper;In Traditional Chinese music,the whole song is polished and arranged through color changes to create an atmosphere and a sense of space,so as to form a pictorial sense and convey it to the audience.Painting also needs to be like music with emotional flow,tangible god,to pass to the audience.So at the end of the day,art is all integrated,connected in one way or another.As a result of the research on the color of Traditional Chinese painting,the innovation and development of the color of Traditional Chinese music are the same.I take the erhu,a traditional Chinese musical instrument,as the main research object,and take "Riverside Scene at Qingming Festival" as an example to conduct a brief color analysis on its three scenes.It is worth thinking about how we,as performers,should use appropriate ways and methods to discuss the inspiration of the color of erhu performance from the fusion of the two and summarize the present situation of cross-field and multi-dimensional presentation in contemporary art.I will look for ways in different angles and look forward to the future.