Analysis Of Immersive Sound Recording And Production In Location Concert

The concept of immersive sound is clearly explained in this thesis.About the playback mode of immersive sound,the author classifies it from many ways,lists and compares the formats and production tools developed in the professional production field based on different reproduction modes at this stage.The differences between professional end audio reproduction system and consumer end audio reproduction system are compared.This thesis analyzes many existing schemes designed for immersive sound recording on location concert.In the end,combined with the actual case of immersive sound recording and production of Tchaikovsky Symphony No.4,the specific operation methods of immersive sound recording and postproduction of symphony concert are described in detail.