Analysis And Enlightenment Of Debussy’s Prelude For Piano

Claude Debussy is very famous in the history of world music,not only because of his outstanding contribution in piano art creation,but also because his piano works have a wide and far-reaching influence.In the course of Debussy’s music creation,many excellent classical piano works were born.Among them,"for the piano" is Debussy’s masterpiece in the prometaphase stage of piano creation.The birth of this piano suite reflects the qualitative leap of Debussy’s composition level and Debussy’s attainments in the field of piano composition.Therefore,modern piano players have also performed different interpretations of the first Prelude in Debussy’s "for the piano",forming various performance versions,which has injected multiple artistic colors into this piano work.In the research of this paper,it is mainly expounded through three main parts: the first part expounds the life of the composer Debussy and the creation of the prelude to "for the piano";The second part introduces the performance characteristics of jizejin,Francois and Gulda respectively,compares the performance versions of the three performers,and analyzes the commonness and individuality;The third part draws a conclusion from the comparison of commonness and individuality,and summarizes the Enlightenment from my interpretation.This paper analyzes the performance version of Debussy’s prelude to "for the piano",in order to have a positive impact and guidance on the piano art research of follow-up performers and researchers.