Poems On Duty In Tang Dynasty And Its Artistic Characteristics

The Tang Dynasty has a large number of duty poems,which gradually developed into a type of poetry,possessing the dual values of literature and history.This thesis takes the Tang Dynasty poems on duty as the research object,focusing on its artistic characteristics,and explores the unique artistic charm of poetry that this political activity of be on duty gives poetry,and uses this to explore the true and complex psychological picture of the literati.The first chapter comprehensively investigates the duty poems in Tang Dynasty from the historical context.First,we understand the connotation of the word " Yuzhi " from the two dimensions of system and literature.The rigorous usage of the system appellation has been retained,while the literary connotation has been generated and changed in the history.The pre-Tang Dynasty poems on duty had a greater impact on the content and creation of the poems of the Tang Dynasty,while the creation location and emotional tendencies retained distinct self-characteristics.Wen Yuan Ying hua compiled a large number of duty poems,which is crucial to the establishment of this type of poetry,which deepened the understanding of the category and tendency of poetry selection in Tang Dynasty.The second chapter grasps the creation and poetic expression of duty poems in Tang Dynasty from the perspective of space.Through the quantitative statistics of the places in the poems on duty,it is found that the three places with higher frequency of creation are related to their own characteristics: the confidential nature of Zhongshu Province,the superior treatment of Shangshu Province and to advertise the status of close ministers the prohibition of one place.Xinggong and prefectures and counties are also worthy of attention as "unconventional places of duty".Among them,the theme of the poems of palaces and prefectures is more vivid and polished.In addition,the space writing of be on duty place also has certain characteristics,which are mainly reflected in the "heaven and earth" of the presentation method and the two aspects of integrity and fluidity.The third chapter analyzes the writing of duty poems in Tang Dynasty from the perspective of the senses.The creation of literati poems of duty mostly occurs at night.The dark night makes poets often use a variety of senses when they feel the external environment,which brings a new look to poetry writing.The duty’s living environment is very quiet,which provides a prerequisite for a large number of scribing sounds.Their auditory writing involves the sounds of insects and the unique sound signals of the living.Olfactory perception takes "fragrance" as the main keynote,which is created by the influence of subjective and objective factors,and can also manage the fragrance by itself.The hot and cold writing in the duty poem is mainly caused by the temperature difference between day and night,the change of weather,and the change of seasons.It is also psychologically affected in actual perception.The fourth chapter analyzes the Tang Dynasty duty poems and their writing from a psychological perspective.Be on duty is in the intermediate state of seeing things and rest,which is mainly reflected in the leisure of the body and the mind.It is often adjusted through the three methods of singing poetry,drinking and thinking about the piano.Under the glorious writing of duty poems,there are many hidden potential emotions,such as Quan Deyu’s long-term "unbearable" exhaustion,and Bai Juyi’s boredom in straight poems.The mental writing of the poets of duty has a certain point in common,that is,they often use the self-comparison of previous generations of sages and the self-evident ways of birds to express their feelings.