| In the 1990s,Chinese new generation science fiction took "Science Fiction World" as a front,sweeping away the shadow of the "Clear Spiritual Pollution" movement in the 1980 s.With the enrichment of the text content and the enhancement of creative strength,it will flourish in the new century.Development has become a force that cannot be ignored in Chinese contemporary literature.As a literary trend born under the influence of the rapid development of contemporary science and technology,posthumanism has profoundly influenced the writers’ creation of Chinese new generation science fiction and has formed a unique posthuman writing style.The posthuman writing of Chinese new generation science fiction reflects on the current human life situation from the perspective of the future,try to describe the future of human groups and even the life of the universe,and try to guide people to embrace the imminent with a more open,inclusive,rational and objective attitude on the basis of persisting in themselves s future.Chinese new generation science fiction has created posthuman beings such as "creator","transformed man" and "alien" in the cultural context of the conflict between technological development and ethics,individual anxiety in the information age and humanistic self-criticism image,the posthuman narrative model constituted by the ambiguous narrator,retrospective narrative structure and the interlaced narrative time between history and the future,integrates the game between technology and ethics,the transcendence of anthropocentrism,and the construction of a community of future destiny and so on,in order to observe the survival of the human group and even the life of the universe.From a posthuman perspective,the thesis examines the unique narrative art and rich aesthetic connotations of Chinese new generation science fiction.While trying to enrich the research of Chinese new generation science fiction,it also hopes to be helpful to the creation and theoretical research of Chinese new generation science fiction.It has contributed little to further promote the construction of a diversified theoretical research pattern of Chinese science fiction literature. |