Discussion On Stereoscopic Expression Of Folk Art Documentary Characters

In recent years,the quiet emergence of folk art documentary films has aroused the people’s attention on folk art and folk art inheritors.Taking folk art as point of penetration and its attention on human as the foothold,folk art documentary films demonstrated the craftsmen spirit and life of characters in documentary films,excavated the spiritual impetus of folk art inheritors under the social background of modern society and expounded and propagated the expectation of folk art inheritance.The lively expression of characters in folk art documentary films can better deliver the in-depth connotation of folk art and reflect the current inheritance status,flattening characters can make the content of documentary films be dull and boring,which cannot realize the objective of disseminating and propagating folk art culture.The stereoscopic expression of characters in folk art documentary films is the key that determines whether a documentary film is popular in audience.Therefore,study on character stereo in folk art documentary is extremely necessary for either creator or audience.In the creation process of folk art documentaries,stereoscopic expression of characters is an important link in character expression,the article is going to conduct analysis on folk art documentaries through literature analysis method,case study method and comparison study method,the focus of the study is the stereoscopic expression of characters in folk art documentaries,and the article explored the characteristics of characters in folk art documentary films,the constituents and principles of character stereoscopic so as to summarize the strategies and values of stereoscopic expression of characters from aspects of story descriptions and image presentation.。It is hoped that the study can contribute modestly to enrich stereoscopic expression of characters in folk art documentaries.