A Study On The Decorative Patterns Of Qing Dynasty On The Basis Of Semiology

The decorative arts of the Qing Dynasty,on the basis of absorbing the handicraft essence of the previous dynasties,combined with the influence of Foreign Western culture and under the strict court management system,formed a higher artistic attainments,at the same time,it has a very important national cultural and artistic value.Semiotics,as a new linguistic theory,in semiotics,the most perceptible object is called signifier,which is the external material of the sign itself,that is,the form of expression of the sign.The decorative patterns on the court utensils of the Qing Dynasty studied by the author are in themselves a kind of visual image.This paper regards this visual image as a kind of pattern symbol,through a systematic study of the artistic characteristics and the forms of decorative arts of the Qing court utensils,taking the Qing court utensils as the object of study,and using the collections of the The Palace Museum as the reference Coefficient,in addition to the analysis of the concept of the Qing Dynasty Palace Utensil,the background of the Qing Dynasty Palace Utensil is clarified.This paper makes a comparative study on the different kinds,materials and decorations of the palace utensils,and according to the above theoretical research and the relevant theoretical research in semiotics,obtains the style characteristics of the utensils in the The Palace Museum collection.The results show that the characteristics of the decorative patterns and modeling styles of the court utensils in the Qing Dynasty are influenced by many related factors,and their changes are closely related to their internal logic.