Appreciation Of Elegance

The painting theory of the Wei,Jin,Southern and Northern Dynasties occupies an important position in the history of Chinese painting,which is not only a sign of the awakening of painting,but also has a profound influence on later generations.It does not come out of thin air.It is the result of the natural evolution of painting art,and it is also influenced by the cultural customs of the time.This article puts Wei Nanbei’s painting theory under the background of "human consciousness" and "painting consciousness".From the perspective of Pinzao,it analyzes the internal and external factors of the formation of Weijin Southern and Northern Dynasties painting theory and finds its evolutionary process.First of all,by combing the rheology of Pingao’s wind,it outlines the chronology of "human consciousness" and the aesthetic tendency presented in this conscious process.Based on this,the development of painting and the entire Wei,Jin,Southern and Northern Dynasties period The aesthetic spirits of the two are considered in connection with each other,and show the macroscopic change process of "consciousness of painting".Secondly,the author analyzes from several micro perspectives such as the subject of creation and discussion,criticism methods,poetic features,and the formation of important aesthetic categories in painting theory,and further examines the influence of Pinzao on the rise of painting theory in the Wei,Jin,Southern and Northern Dynasties.Thirdly,through exploring the origin of the relationship between Pinzao and painting theory,interpreting the representative painting theory and text of this period,analyzing the influence of Pinzao ’s inner spirit and criticism on painting theory,and giving a glimpse of the period of Wei,Jin,Southern and Northern Dynasties Aesthetic fashion and artistic spirit.On these foundations,highlight the beauty of life in art.