Textual Research On The Palace Music Organization Of Ming Dynasty

The Ming Dynasty witnessed economic prosperity and social stability in a certain period of time.To a certain extent,the growing population and rich urban life have formed a hotbed for the vigorous development of opera and rap art.Not only the Song and Yuan opera art have been inherited,but also the folk songs which refute the old and reveal the conflict are in the ascendant.Many scholars have devoted themselves to various fields of research,participated in folk literature and art activities,and promoted the prosperity of folk songs,operas,rap,etc.;Guqin art has also formed many schools,many music scores have been published;the great progress in mathematics has also promoted the creation of Zhu Zaiyu’s new secret rate……The court music of Ming Dynasty is far from the Yan music of Tang Dynasty.The Ya music is further declining and the opera performance is more prosperous.As a part of the palace music culture,the music organization is also a symbol of the characteristics of this dynasty.Taking it as the research object,combing its real historical form with the historical and cultural background before and after the establishment of the Ming Dynasty.The paper consists of three parts: introduction,four chapters and conclusion.The introduction part involves the source of the subject,the purpose and significance of the research,the current situation and problems of the research,and the research methods.In the first chapter,the background of the formation of the palace music organization in Ming Dynasty is analyzed,and then the classification of the palace music organization in Ming Dynasty is sorted out.In the second chapter,the concept of divine music,the third chapter,the division of Jiaofang,and the fourth chapter,the division of Zhonggu have a parallel logical relationship.In the second chapter,the author first combs the origin and evolution of the establishment of the Shenyue temple and its functions of sacrifice,music education and praying;then analyzes and arranges the literature about the source,number and treatment of the main musicians and dancers in the temple,and draws several tables;secondly,according to the music scores of some court sacrificial music that can still be collected at present Based on the analysis of the noumenon of Xing music,this paper puts forward different understandings and views on the music mode and rotation method,and holds that the sacrificial music in Ming Dynasty is mainly palace mode.In the third chapter,the teaching department and the fourth chapter,the bell and drum department,as well as the Shenyue Temple organization,analyzes and sorts out the relevant documents from the establishment,main body and music of their respective organizations,so as to restore the true historical appearance of each link.In the conclusion part,the author first makes a conclusion on the research of the three institutions respectively;then makes a judgment on the connection and difference of the three institutions,and thinks that the horizontal relationship is embodied in cooperation and the vertical relationship is manifested in development;thirdly,the influence of the palace music institutions of Ming Dynasty on the later generations(mainly the Qing Dynasty)is briefly discussed,and the historical significance of the Ming Dynasty court music institution.Through the research of this topic,we can better understand the role played by the palace music organization in Ming Dynasty,so as to have a more comprehensive grasp of the palace music in Ming Dynasty.