On Yan Lianke's "The Third Type Of Local Writing"

In the contemporary Chinese literary world,Yan Lianke,who persists in the creation for nearly thirty years,is also a controversial and controversial.His local experience,military experience and his keen insight into the countryside,human nature and reality form his distinctive and non replicable creative personality.In his works,it contains a strong sense of life,a deep land complex,an appeal to the struggle against suffering and death,and the absurd conception and imagination of human nature and reality.In recent years,each of Yan Lianke’s works,especially the Palou series,has aroused widespread controversy and discussion in the readers and critics,and his theoretical monograph "discovery novel" has become a hot topic of concern.It can be said that Yan Lianke China in contemporary literature,we left a thick and heavy in colours.Yan Lianke is a writer coming out of the countryside,so his creation is mostly based on the rural area.His native creation has created a unique field of writing on the local China through strange,weird and cold imagination,and thinks about the relationship between human nature,native soil,history and reality in this field.In order to better fit his inner perception of reality,Yan Lianke found a different way of writing,making his expression closer to his heart and to the truth that he saw.In his literary dialogue with Zhang Xuexin,"my realism of my doctrine",he first proposed the "third roads" of local writing,which led to my thinking about the local writing of Yan Lianke.This thesis is divided into five chapters:the first chapter,starting from the history of contemporary and contemporary literature,combs the "two traditions" of the local writing that Yan Lianke has mentioned,and analyzes the way and degree of its involvement in reality,as well as the continuation and change of the tradition of local writing.The second chapter takes "discovery novels" as the trigger point and takes the "spirit realism" as the breakthrough point to find Yan Lianke’s theory support of third native writing.The third chapter,from the themes often appeared in Yan Lianke’s text,to grasp his writing of native land,reality and life,and to explore the profound text connotation of Yan Lianke’s local novels.The fourth chapter tries to take the local narrative in Yan Lianke’s novels as the fundamental foothold,through the "new quality" which runs through the text through the overflow of the mainstream,and explores the development of Yan Lianke in the form of "third kinds of local writing" and the practice of the creative idea of the "deity".The fifth chapter summarizes the above four chapters,roughly sums up some basic features and directions of "third kinds of local writing",and tries to reflect and discuss the meaning and predicament of this kind of writing.