A Study On The Musical Style Of The Ancient Music Of The Qing Dynasty

In the early nineteenth century,the Mongolian literati RongZhai write a XianSuo score(1814 copies)XianSuo reference appendix,it is in addition to the ancient piano in the music history so far most detailed and complete a XianSuo music,which includes 13 first XianSuo melodies,"general","request",the sound board,the sound moon is high,the dance of the horse,"the pine green vigil",the departure at the fron,sixteen board ","blue sea","PuAn charm","the moon has a high","sounds string" and "flat rhyme list".The book is divided into six volumes and ten volumes,including the preamble,the introduction of the fingering of Musical Instruments,as well as the Musical Instruments and the collected music.These 13 sets of music have a long history and were widely circulated in the society at that time.Before rongzhai wrote this book,13 sets of music "did not have a book to follow",can only rely on oral transmission.The compilation of "preparing for the test of string strings" provided a model for musicians at that time to play,and also provided valuable documents for later generations to understand the style and aesthetic interest of the qing dynasty literati music,and provided a basis and foundation for the revival of ancient music.The completion of this book is a milestone.The edition of this paper is cao anhe and jian qihua’s translation spectrum,and Yang yinliu’s revision of xieshu(published in 1955).In this book,the paper version of "preparing for the test of string" is translated into staff and simple spectrum,which is more convenient for modern people to study.In this paper,13 sets of musical pieces of string preparation for examination are taken as the object of study and the method of pattern is used to study.As an important subdiscipline in the study of Chinese traditional music,typology occupies a pivotal position in the overall discipline of Chinese traditional musicology.Chinese traditional music has its own form rules in scale,melody,rhythm,melody,structure,polyphonic study and composition method.The study of form is the main aspect of Chinese traditional musicology.The analysis of 13 strings by means of typology is to study the music itself and unlock the DNA of ancient strings.This paper mainly starts from three aspects: first,the first part of the music itself from the scale,palace tone,rhythm,melody,form and other aspects of the interpretation of the thirteen pieces of music,and strive to accurately analyze: 1.2.The melody source of the phrase and the relationship between the phrase and the phrase;3.Tonality and musical structure of the section;4.Melodic connection and structural relationship between segments;5.The melody characteristics and structure of the whole music.Then,the second part from the development of music and the structure of the wayto summarize the common law of the 13 strings.It includes: 1.Technique of structural phrase and section: tail-closure section and tail-closure section;2.The arrangement ratio and group structure of phrase and segment under the control of single plate;The multi-level application of interlocking structure.2.Methods of music structure: multi-level nesting of head and tail;Cyclic multi-segment body structure with closed head and closed tail;A complex multisegment structure.3.Tonal characteristics.Finally,the third part analyzes the development thinking and aesthetic interest of traditional Chinese folk music by using Oriental cultural philosophy.Accordingly,the following conclusions are drawn:1.For the 13 sets of music included in "string preparation for examination",except for the last three paragraphs of "haiqing",which were transferred from house D to house A,all the other pieces of music were in the same house.2.The thirteen pieces of music are all developed around one or several themes,with definite outline,clear framework and mature musical structure.3.Thirteen pieces of music are represented by the internal structural factors of various fragmented tones and diversified forms,such as "closed head","closed tail",core "tone",and sometimes even various rhythmic forms and techniques.In the process of spreading and changing,the music achieves a compact and integrated musical atmosphere and organizational structure.To sum up,the stringed instrument preparation compiled by rong zhai saved the stringed instrument with very high degree of instrumentalization and fingering in the form of a musical book,which provided valuable literature materials for the performance and research of later generations."Our literary theory is not without" language "," ji xianlin said." part of the reason why we are unable to speak in the world is that our backs are not straight and we are confused by some foreign " theories "." This paper makes a study on the musical form of strings for reference,excavates its complete system and characteristics,and attempts to decode the genes of ancient music,so as to establish our own "language".This not only makes it easy for modern people to interpret ancient music and understand the thinking mode and aesthetic interest of Chinese music culture;It is also conducive to its dissemination and inheritance in the present and future generations;It is the only way to establish the Chinese music school and fight for the international voice.