| William Turner is one of the most outstanding landscape painters in the history of Western art and an outstanding representative of romantic landscape painters.Turner’s paintings have made bold innovations in the use of light and color.He has broken through the traditional painting language and color system,and his expression has also been separated from the shackles of classicism and academics.The expression of the image language of light and color in nature is not only a bold exploration,but also changes the aesthetics of people and affects many painting schools of later generations.This thesis takes the imagery of light and color in William Turner’s paintings as the research object,from his life and the background of the times,and then through the concrete analysis of William Turner’s paintings,from light,color,light and The three aspects of color combine to explore the imagery language of the artist’s creation,explore the form of the artistic composition and the principle of color matching,and the unique features formed.On this basis,further explore the form,image and author’s emotions.The organic relationship between thought and thought,and the deep creative motives and artistic ideas behind its superficial form.In addition,this paper also explains the reasons for the formation of the image language of light and color,and the profound influence of Turner on the Chinese and Western art circles since the 19 th century and even the current artistic creation.Finally,combined with the author’s oil painting creation practice,he expounds the creative experience and thought revelation realized through the study of Turner’s paintings.This article believes that light and color under the brush of William Turner are both exaggerated and romantic,which is deeply shocking.This also has an important enlightenment for the current Chinese painting creation.While appreciating and understanding the charm of light and color,we must learn the spirit of his courage to innovate. |
PDF Full Text Request