The Embodiment Of Yunnan National Music Elements In The "Three Songs Of The Southern Fujian Mountains"

In the piano into China at the end of 19 th century,China began in the early 20 th century piano music.SinceMr Musician yuanrenchao 1915 created China’s first piano suite 《peace march》,Chinese piano suite then became an indispensable part of Chinese piano music creation.With the passage of time,the Chinese piano music creation technique is more and more mature,creation concept constantly updated,the Chinese piano suite from the aspects of theme,technique,style,has become diversified,make our country more contemporary and nationalization of piano music style.Pile with is China’s famous contemporary composer,was born in less number of yunnan ethnic groups,and in our country the unique folk culture and folk customs,make the gave birth to a series of yunnan ethnic music style of piano works."Dian nan shan a communal three song" is one of them,rooted in the national folk music and not constrained by the creation of the national folk music "concept,in plain folk music language,personalized ideas created the piano suite.The idea of the text is mainly based on the following points,first,the pile with introduction and his major works.Second,the honghehaniyi music profiles.Third,for the yunnannanshan a communal three-"ShanWa","on the mountain","fire" creative techniques,national characteristics,such as playing techniques are analyzed.Fourth,finally combined with their own learning and playing experience about result and experience.