The Application Of Xinjiang Style In Chinese Piano Words

The adaptation of Xinjiang’s material piano works has been an upsurge in the history of the creation of Chinese piano works.Many outstanding composers have adapted the materials collected in Xinjiang.The piano work “Avaguri Gourmet Variations” is also one of them.The composer Chen Yi created a piano work based on the Xinjiang Folk Song “Avaz Guri” collected by the stone husband in 1978.This piece combines the musical characteristics of Xinjiang with Chen Yi’s new musical composition techniques.It not only reflects the creative characteristics of Chinese folk music,but also draws on a variety of advanced Western creative techniques,making the genre and form very novel and unique..This article takes "Avazigur Theme Variations" as the research object,and carries out a comprehensive analysis of its creative background,creative techniques,playing techniques and teaching value.It explores the deep meaning and significance of this work.The paper is divided into four chapters.I.Explain the characteristics of ethnic music in Xinjiang and collect and collate all the piano works that can be collected for the adaptation of Xinjiang materials.Second,the background,composer,and works of the piano works "Avazigur Theme Variations." The materials in Xinjiang are analyzed;thirdly,the creative techniques in the works are analyzed from the aspects of genres,modulations,textures,and touch keys,pedals,and fingerings of performance techniques.4.Contrastive analysis of the commonalities and individualities between the "Avazigur Theme Variations" and other Xinjiang adaptations of piano works,from which the teaching value of the work is reflected in the technical and artistic aspects.Because of the many literatures that have studied Chen Yi’s works in recent years,it can be seen that Chen Yi’s works are characterized by something different from other composers.At the same time,the style of Xinjiang folk songs and the adaptation of Chinese works have all appeared in various journal articles and dissertations.Therefore,in this article,the author mainly analyzes the use of the Xinjiang style in Chen Yi’s first variation of the theme of Avaz Guri and the piano pieces that are different from other Xinjiang themes.This work is a piano solo piece created by Chen Yi in the early years.Although compared to the well-known piano solo works “Duo Ye” and “Guessing Tune,” this work is very few in terms of performance or analysis,but the work is of Xinjiang style.Both the use and the composition techniques are very rich and rich.It is a unique piano work.Therefore,the author analyzes the performance of the work in order to supplement the musical style and characteristics of Chen Yi’s piano works and to obtain a fuller understanding and understanding of Chinese piano works in teaching and performance.