The Music Analysis And Singing Study Of "Regnava Nel Silenzio"

Romantic period is an era of more and more opera.At this time,many excellent opera works have been created in many European countries.Among them,the Italy opera is a state of vigorous development.On 19 centuries half leaf,there are three famous Italian composer:Rossini,Bellini,Donizetti,their opera style of her works is a connecting link between the preceding and the following,not only has a beautiful stretch of the melody of the Baroque period and at the same time by the influence of romanticism,pay more attention to the music drama and authenticity.They aria creation commonness is that focus on singing voice with gorgeous coloratura skills to enrich the melody of color.However,coloratura is not a virtuoso,but a combination of the interpretation of the characters and the plot,the prominent figures of the personality and the music of the dramatic,such creation features the music language of an entirely new look,produced many still staged outstanding works.Donizetti made a great contribution to the early romantic opera creation,his creation of coherent,quick productivity.In 1835 for Napoli’s San Carlo theatre opera the "Lucia di Lammermoor",the music sounds beautiful,Italian bel canto play incisively and vividly,opera in the famous aria"Regnava nel silenzio" difficulty is greater,so it has become a touchstone of the history of opera coloratura soprano.This paper based on the analysis of the creation of Donizetti and Aria"Regnava nel silenzio" music ontology,combined with several famous singer singing audio and video contrast,on this piece of aria tone carries on the comprehensive analysis,on the one hand to strengthen the research of Donizetti’s music and another for the singer complete singing the Aria offers theoretical material,in order to more accurately grasp the interpretation of this piece.The analysis on Donizetti’s art creation and "Lucia di Lammermoor" and the Aria "Regnava nel silenzio",music and singing.