| John Sebastian Bach is the most outstanding musician in the Baroque period, so his music creation also has a distinctive baroque style, full of religious color and aristocratic atmosphere. We are familiar with the "hunting", the mass in B minor sonata "," Christmas ", the fugue of the art", "Matthew Passion", the love dedication "and so on are Bach’s life in music art show, also on behalf of the Bach music creation of great achievements. " Without the accompaniment of Violin Sonatas and Partitas " is Bach numerous outstanding instrumental in the creation of the song, is the violin works rare classic, for violin art creation has a role can not be ignored. So a lot of violin composer and performer, Bach said " without the accompaniment of violin playing Sonatas and Partitas for Violin " Bible ". It combines the national and artistic characteristics of music, which provides a wide range of creative thinking, and gives more space for the two degree art creation.Because of the Baroque period music in melody, harmony, texture, music thinking mode and even musical instrument structure and so on and today’s differences, it may lead to different players in the performance of Bach’s Violin "G minor sonata", the use of different musical techniques, to show different styles and temperament. On the other hand, it is a very meaningful work to study the contemporary interpretation methods and aesthetic features of the Baroque violin music as a breakthrough and the starting point to study the differences in the performance of the same Bach Violin Sonata. However, the research results of the present study are not related to the differences of the performance techniques and styles of Bach’s "G minor". Therefore, the author with the purpose of expanding the research field and fill the idea of previous research gap, this thesis writing in chose "Bach" unaccompanied violin sonata song and suite "notation version comparison and analysis of performance, to the G minor first played the sonata", for example "as research subject.This article is divided five parts. The first part is an introduction, an overview of the necessary background information on this topic, significance, status quo academic research, research methods, innovation, research and content; the second part introduces the historical development of Baroque sonatas and violin music Overview and artistic characteristics; the third part, the creation of briefings Bach unaccompanied violin sonata and suite of analysis "g minor first Sonata" of musical structure, discusses the Bach "g minor first Sonata" played version of history status, and prompts the release source article selected spectrum of cases; the fourth part, from "playing version differences bow structure", "playing version differences and polyphony voices", "chose to play versions differ bowing" and "Playing Version Differences and ornamentation, " " play version differences of temperament and style, " several aspects of playing for different versions of different historical periods of music technology phenomena are analyzed; The fifth part is the conclusion, on the basis of the above sections of research results, with the deduction and reasoning, inductive playing different versions of music technology behind the phenomenon of differences musical aesthetic thinking and suggests ways to guide law violin ongoing creation and interpretation. |