Yuan Dynasty Flower-and-bird Paintings And 17^th Century Westem Still Lifes Humanistic Ecology

With the development of economic and cultural globalization, Chinese and western culture and art communication increasingly close. At the same time, many scholars found that Chinese and western art have consistency in essence of aesthetics, for the scholars of Chinese and western aesthetic essence of art in-depth analysis. In the course of study still lifes, scholars found that China’s painting type with still lifes is corresponding with the Chinese paintings, parts of the Western Europe still lifes describe objects in our country is also common in traditional Chinese paintings, so with Chinese and western still lifes certain extent have in common. And both the west and the east is roughly corresponding painting history. Typical of classical western still lifes in the 17 th century, the Dutch still lifes most representative; The heyday of Chinese flower-and-bird paintings in tang and song dynasty and yuan dynasty. The two can represent the highest level of the painting type a comparative study of eastern and western art, to enhance the mutual understanding between eastern and western art, mutual promotion and mutual fusion has certain help. And, therefore, the author of China’s yuan dynasty flower-and-bird paintings in the 17 th century western still lifes to study the differences between cultural ecology, by analyzing both the similarities and differences, combing the essence of Chinese and western art and aesthetic characteristics, and the characteristics of the painting, in order to provide theoretical reference for the future development of Chinese painting. And this topic focuses on the yuan dynasty flower-and-bird paintings in the 17 th century western still lifes humanistic ecology, including the yuan dynasty flower-and-bird paintings and the 17 th century western still lifes development overview; The yuan dynasty flower-and-bird paintings and western still lifes of the seventeenth century humanistic ecology differences and similarities; Embody the humanistic ecology in flower-bird painting and still lifes influence on contemporary painting. Among them, the yuan dynasty flower-and-bird paintings and western still lifes of the seventeenth century humanistic ecology diversity performance different, including the picture form the pursuit of different images, aesthetic meaning; Yuan dynasty flower-and-bird paintings and western still lifes of the seventeenth century humanistic ecology identity including picture reflects the painter view of nature, is the painter emotional rendering.