Theory Of Jianjiang To Nizan Inheritance And New Landscape

Jian Jiang is the late Ming dynasty and qing dynasty landscape painting everybody, "xin ’an painting" leader, is also "one of the four monk" at the beginning of the qing dynasty, his landscape painting style of quietly elegant, beautiful clear cool escape, has a unique artistic features. Jiang widely absorbs important landscape everyone’s experience during the song and yuan period, mainly "yuan four" give priority to, especially to NiZan particularly admired, late to specialize NiZan. Jiang from NiZan place to learn, but he was not simply from its appearance. Outside the absorption of traditional techniques, pay more attention to the experience of nature and division, the tradition of the elders, spirit of nature, the division of tradition and possessed good combination, finally formed a unique artistic style. Jiang landscape artistic conception and NiZan are present in common, but better than NiZan improved, compared with NiZan landscape painting, without the feeling of that kind of lonely lonely, but is much more simple and beautiful novel, appear more calmness, stiffness. Gradually Jiang Cengyou did "good dream inferior lay people, and no segment into the barriers"; "Outspoken heaven and earth is my teacher", reveals the deep tradition and should be pay attention to the artistic theme of nature, the pursuit of his art innovation.This thesis mainly divided into four chapters, the first chapter analyzes the NiZan jiang shicheng the origin of Chinese landscape painting, this chapter is divided into four sections to concrete elaboration, mainly from jiang as their state of mind, cool and lonely heart, influenced by literati painting aesthetic ideas, promoting the several factors of NiZan to analysis. Is the second chapter and the third chapter discusses jiang to NiZan inherited and new landscape painting style, in succession from concise, deep and remote light ink insipid eight-legged essay of the schema, it rocks form, high clean picture implication, ease and free from vulgarity magnet this five aspects to separate them one by one, in the process of its discourse, trying to clarify some of his own views and opinions. With rich content, in the new variable as its composition and unique rocks white space, stiffness of the ink performance, rational painting images of pursuit, cold artistic conception, pay attention to these a few respects such as natural imitation to concrete, and connecting with the two slightly more related works, explore their similarities and differences, to better interpret jiang to NiZan landscape painting to inherit and new. Finally, through the above analysis of NiZan jiang shicheng landscape painting and discussed, summed up the jiang personal and unique artistic style. Jiang landscape painting style and more cold, the pen and ink and vigorous refrigerant, was incomparable to also had a great effect. Jiang landscape painting style formation and relies on the traditional drawing, although from NiZan, but not limited to its appearance, coupled with his deep understanding and summary of nature, gradually formed its own personality characteristics of art, jiang pursuit of art and innovative spirit, for I have influence on creation of art in future and inspiration, to bring me a lot of thinking. Jiang NiZan inheritance and new, for the moment is learning landscape painting I have made a lot of enlightenment, for the traditional how to inherit and to know, and how to seek new changes in the traditional; Learn how the ancients, and how to apply, is worth me to think, in the conclusion part has a simple analysis.