Tang And Song Dynasties Stone Lake Theme Painting Techniques Of Language Analysis

As an important part of Chinese classical gardens Ornamental stone, the TaiHu Stone was continuing respected and loved by all walks of life since the Wei and Jin with its morphological features which were "Wrinkled, thin, drain thoroughly, and ugly ".As well as carrying a rich aesthetic and spiritual content, it became a traditional cultural symbols like presence. The ancients of the the TaiHu Stone passion extends to painting. Landscape painting to the figures from the Tang and Song, Ming and Qing Flowers and Birds, Stone Lake as uninterrupted painting subjects also experienced a long evolution process, has accumulated a large number of schema languages.The TaiHu Stone theme performance study painting, not only can understand these TaiHu Stone techniques constitute, also from the ambitious context in which we see the independent development of traditional painting from department to explore portraits one step ahead on the basis of, landscape,Flowers and Birds gradually establish their own language system, and interaction, integrate growth trajectory, this study has many meanings. The TaiHu Stone theme painting first appeared in the Wei and Jin portrait masonry, and reached its peak in the Tang and Song dynasties, and the formation of two relatively independent of the language system,which are the so-called "dual-hook blooming and rate hook system of cracked staining techniques. Numerous representative works produced for this period, as well as a model of future generations the TaiHu Stone Paintings significance, so the papers to the Tang and Song Dynasties sector, the historical background to draw Branch separation of the two techniques system as the research object, as well asthe the corresponding Manhattan map,"Xianglong Rock" as the main entry point for a detailed analysis of the formation, sources, performance and the impact of the double hook blooming and rate hook cracked staining ". The authors hope to achieve in-depth understanding of the techniques characteristic themes of Stone Lake thesis, Tang and Song landscape, flower formation and interrelated macro understanding, then the corresponding exploration of contemporary New Ink, provides for the creation of the practice’s newinspiration and ideas, and to prove the practical significance of the study.