On Yu Qiuyu 's Artistic Creation Theory And Its Western Factors

For a long time, scholars who researched on Yu Qiuyu, pay more attention to Yu ’s historical cultural prose, but relatively lack to his art theory research. In fact, The art theory, which Yu Qiuyu focus on, can be divided into two parts, one is about drama, and the other one is about art creation. Although the theory of artistic creation comes from his theory of drama, the artistic creation theory itself also has a process of self-construction and maturity, and the process is reflected in the theme of his three theoretical works-- "Artistic Creation Project" "Artistic Creation Theory " and "Artistic Creation Science". Before and after, these three works have embodied the theory of Yu’s narrative which change from the relative sensibility to a more rational process. At the same time, as a researcher who lived in a transitional period of literature and art theory in China, his theory has been influenced by a large number of western art theories. And the three theory works also reflect the difference of his acceptance of the western art creation theory.This article make a in-depth research on Yu Qiuyu’s three art creation theory(i.e. the 1987 publication of "Art Creation Engineering", published 2003 "Art Creation Theory" and published in 2013 "the Creation of Art Science"). Begins with the analysis of the three artistic creation relations of the theories and the other drama research. Although Yu Qiuyu’s art creation theory contains part of the drama theory research, the more important element is it’s the introduction of the theoretical research on the whole of the art.This paper begins to analyze the relations of the three artistic creation theories and the other drama research. Although Yu Qiuyu’s art creation theory involves part of the drama theory research, the mainly important is it’s introduction of the theoretical research on the whole of the art.The second chapter analyzes the specific western factors in the art creation theory of Yu Qiuyu, and the western theory in details which changes in different periods. For example, in the "Art Creation Engineering", Yu Qiuyu thought that the artist’s creation embodies the coincidence between the subject and object of the hatchback, the western theory is repeatedly stressed that this reflects China’s overall acceptance of the Marx doctrine and the art theory of former Soviet Union. But in the 2005 publication of "artistic creation", Yu Qiuyu no longer emphasizes the concept of subject and object, instead he directly return to the object of artists and artistic perception periods, there is no doubt that the impact of the former Soviet Union literary theory on Chinese scholars in fading away. By comparison, the "artistic creation" fully indicates the influence of Western deconstruction, and new criticism. And this book also reflects Yu Qiuyu’s art creation theory had finally formed. To the publication of "learning" in artistic creation in 2013, Yu Qiuyu’s art creation theory has not changed much, but in the preface of the greatest works of "hidden structure", Yu Qiuyu emphasized the multi meaning works with abundant connotation, embodies his opposition to single subject, single structure, a single thought content claims.The third chapter analyzes the intrinsic cultural background of Yu Qiuyu to select the western art theory, analyzes these factors and the western theory in Chinese traditional literary concept. Then this chapter explores Yu Qiuyu’s art inspiration of the creation theory research to Chinese theory works, which is mainly from the background of the age, the content and form.Of course, Yu Qiuyu’s art creation theory in disadvantages shouldn’t be ignored, such as the lack of appreciation of the characteristic theory. However, Yu Qiuyu’s art creation theory reflects his unique personality as a writer, there is a guiding significance to the study of his historical cultural prose.