Heidegger's Thoughts Of Inter-subjective Aesthetics

This thesis explores another new prospect in the field of Heidegger's study after a thorough reading the Heidegger's Chinese original works in the ontological inter-subjective view. And it tries to provide some inspiration on the contributing to the inter-subjective aesthetic discipline and study.As early as in the《Being and Time》,Heidegger starts doubt the problem of being and fights against the tradition of western subjective philosophy and metaphysics from the point view of Dasein in the respect of ontological philosophy. Together with this doubt, he also denies the traditional thoughts of the truth and language and suggests a new and particular idea of the truth and language which is constructed from the view of inter-subjective ontology. But in this period, Heidegger's doubt on the meaning of being is developed through Dasein, in which subjectivity is appearance and Dasein held the initiative position in all aspects. This initiative position itself includes the danger of forgetting being, which will result in such a fact that the more complete of his construct of Dasein ontology the more strengthening subjectivity of man. Therefore, the foundation of the idea of truth and the original language, which is based on the Dasein,disappears. At the same time of his continuous exploration and critics on and denials on subjectivity, the hidden view of inter-subjectivity repeatedly arises. After long time thought and tough study, Heidegger eventually entered the quadripartite structure of the world of heaven, earth, god and man. Heidegger thought that the man only in such a quadripartite structure of the world of heaven, earth, god and man, being the protector of the world, can meet with the being. The quadripartite world is the original world, which is connected with the aesthetic world. Thus, at last Heidegger turned to the inter-subjectivity aestheticism.After clearing up the thoughts of Heidegger, we can find that Heidegger start from Dasein at his early studies and he entered being in his late studies. This transference from the denial of the subjectivity to the inter-subjectivity is disclosed and provided certain inspiration for the study of Heidegger and the construction of modern aesthetic discipline.