On The Bidirectional Thinking Of Kant's Philosophy And The Dual Structure Of Kant's Aesthetics | | Posted on:2006-10-18 | Degree:Master | Type:Thesis | | Country:China | Candidate:W Li | Full Text:PDF | | GTID:2155360155450985 | Subject:Literature and art | | Abstract/Summary: | PDF Full Text Request | | This thesis seeks the interior clue and logic process of transcendental aesthetics from the thinking paradigm of Kant's philosophy or from its thinking direction and thinking structure, this text not only masters the structure character of Kant's aesthetics from the whole macroscopic perspective, but also tries to anatomy its interior clue from the microcosmic perspective and discriminate some important aesthetic propositions in my power.The so-called "Copernicus type's revolution" in Kant's philosophy appears as thechange of the thinking paradigm of philosophy, which brings the change of one great turnin the thinking pattern of philosophy, i.e, from "the knowledge accords to the objects"to "the objects accord to the knowledge". So we must "treat the world from two differentaspects", i.e, "treat the world with two kinds of visions". Kant divided "object" into"phenomenon "and" thing in itself", and divided" subject "into" experience "(knowledge)and"transcendence" (noumenon),and divided "knowledge" into "posterior" (metal)and"transcendental "(form)was the inevitable result of the turn. I call"treat the world with twokinds of visions" as "the bidirectional thinking", which is the origin of the whole characterof transcendental aesthetics. It is "the bidirectional thinking" pattern of Kant's philosophythat brings the whole character of "the dual structure" to Kant's aesthetics, which is shownas a great deai of "biproposition": "the beauty is shown in form" and "the beauty is thesymbol of moral", "the free beauty" and "the dependent beauty", "the dependent beauty"and "the ideal of beauty", "taste" (natural beauty)and "talent" (artistic beauty)- it is theelaborate analysis to these propositions that consists the pith of this thesis.The problem of "Post-Kant", i.e, the problem of enlightenment meanings to us on "the bidirectional thinking "of Kant's transcendental philosophy and "the dual structure" of Kant's transcendental aesthetics : as to " understanding ", it can clarify our misunderstanding and twisting to Kant, and help us to walk closely to Kant on the basis of understanding Kant; Meanwhile, it has an unignorable meaning in constructing and regulating modern aesthetics, the character and flaw of Chinese traditional aesthetics appear obvious, "experience is enough but transcendence is insufficient", comparing to Kant's aesthetics; In addition, the thinking pattern that is brought by "treat the world from two different visions" brings a meaning not only to interpreting classics, reflecting of philosophy, but also a great meaning to the human living in the world. | | Keywords/Search Tags: | Kant's aesthetics, the bidirectional thinking, the dual structure, the free beauty and the dependent beauty, taste and talent, the ideal of beauty and aesthetics idea, Post-Kant | PDF Full Text Request | Related items |
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