A Study Of Digital Installation Art Based On The Perspective Of Body Perception

Digital installation art uses digital technology to produce or present,and occupies a certain physical space,continuing the emphasis on the viewer’s entry characteristics of installation art.Digital installation art has the pioneering and experimental nature of contemporary art,and brings more forms of expression with the help of virtual reality technology,interactive technology,remote communication technology,artificial intelligence technology,wearable devices,etc.,with new aesthetic characteristics,showing characteristics such as interactivity,openness,democracy and diversity.In contemporary society,humans are lost in the media spectacle,facing the loss of body subjectivity,with a lax perception due to excessive stimulation;in the visual arts since modern times,other senses of the body have been devalued to a certain extent,and the comprehensive return of body perception has become an extremely urgent problem.Based on the connotation and realistic background of digital installations,it is feasible and has theoretical and practical significance to re-examine digital installation art from the perspective of body perception.Examining the aesthetic and creative problems of this kind of art,seeking the influence of viewers’ body perception and behavior feedback on the artistic outlook of digital installations,can achieve the purpose of exploring contemporary art phenomena from the dimension of embodied experience.The analysis of philosophy and phenomenology,especially the theory of body perception as a theoretical tool,through the analysis of the formation process of aesthetic perception and the artistic presentation of specific works,finds another opening for the dialogue between phenomenology and contemporary art,namely the artistic aesthetic experience between works and audiences.The first part of the study introduces the origin of the study of digital installation art in the field of body perception.On the one hand,it sorts out the characteristics of installation art and digital art,which both originated in the middle of the last century,and defines the connotation of digital installation art;in the context of art history,it discusses the aesthetic characteristics and inheritance of digital installation art,and then reveals the status quo of the subject relationship in digital installation art facing reconstruction.On the other hand,it summarizes the emergence and development of the theory of body perception,focusing on the theoretical content of body perception in the phenomenology of perception of Merleau-Ponty,the aesthetic perception theory of Dufrenne,and the technical phenomenology of Don Eide.This part proposes that digital installation art upgrades its creation focus from materialized presentation to the acquisition of audience embodied experience.For its research,it should be led from technology to the perceptual analysis of the aesthetic experience process,focusing on how audiences participate in the form generation of digital installation art as aesthetic subjects.The above theory of body perception in the field of philosophy becomes an important theoretical resource.The second part of the study discusses the mechanism of body perception involving in digital installation art along the three clues of full sensory presence,embodied field and body involvement.This part uses interdisciplinary methods and combines case analysis.First,it is proposed that digital devices can provide possibilities for the presence of multiple senses.Pantomorphic perception involves the whole body and all senses.Digital installation art is neither representation nor pure vision.The synesthesia between visual perception,hearing,touch and taste has become an artistic creation tool.Second,it is pointed out that by creating a embodied work field,digital installation art makes the audience’s body in a complete environment where atmosphere,space and time coexist.The creator thinks about how to achieve embodied environment from the perspective of body perception and perception.Third,discuss how digital devices can better communicate with people and objects,and form an interactive experience mode.The real creator of more and more artistic events is the combination of participants and artists.It is the behavior feedback of the audience that completes the works set by the artist.It is based on the above three points that in the practice of digital installation art,artists take the initiative to adjust the strong creative language of "author’s point of view",and reflect on how to organize the unique creative language to act on the embodied perception of the audience.The creative strategy of digital devices needs to be systematically studied.In the third part of the study,in the face of the discussion of the dilemma of human subjectivity in the digital age and the "post-digital" era pointed out in the field of art,the possibility of digital installation art extending into the future is explored.The study points out that the theme of self-value realization has always existed in the history of art.In order to respond to people’s thinking about their role in the digital world,future artists will continue to conduct innovative practice and exploration.The value basis of their digital installation art creation lies in the pursuit of inspiring infinite life awareness and returning to the sublime beauty.They reexamine their high-tech tools with a dialectical perspective.On the basis of adhering to the subjective status of human beings,they pursue transspecies and transhuman body perception resonance,and conduct artistic experiments in digital installations that are both natural sublime,digital sublime and public.Digital installation art has formed a brand-new art system,which is different from the traditional single effect on visual.In this art system,visual content and multi-modal information transform and enhance each other,generating the unique "visual +" aesthetic experience paradigm in digital installation art.In this paradigm,human body and embodied perception are amplified,and the audience can redraw the perception trajectory of the subject in the coexistence of perception,memory and cultural background.The formation process of aesthetic perception is not a simple sensory stimulus-response process.Instead of a sense of alienation from the work,the audience’s connection with art and the creator is further strengthened.To understand digital installation art from the perspective of body perception,pay attention to sensory perception,body behavior and aesthetic experience,and build digital installation works as a complete art system,which is helpful to explore the relationship between tradition and new frontier,visual and non-visual,virtual and reality,and author and audience in contemporary art,and constitutes an important aesthetic means to deal with the loss of body subjectivity and identity anxiety in contemporary society.