Research On Uygur Folk Songs In Xinjiang Uygur Autonomous Region

The unique natural ecology and human environment of Xinjiang breed the magical and rich Uighur folk songs,and the scattered discourses on them are not enough to grasp the special cultural significance of Uighur folk songs in Xinjiang.Through the macroscopic and microcosmic analysis of the characteristics of many aspects of Xinjiang Uygur folk songs,and carry out multi-angle,multi-level investigation,so as to better grasp the overall literary and artistic value of Xinjiang Uygur folk songs and the characteristics of regional culture.The first chapter investigates "the history and culture of Xinjiang uygur ethnic group and the general appearance of folk songs".Key research of Xinjiang uygur folk song carries a variety of cultural significance,this question’s research is not open around the uighurs live in natural geographical environment,cultural history,social life environment,it is these unique natural geographical and cultural history environment bearing the uygur folk cultural uniqueness.From the Angle of history,take care of uyghur folk survival of natural geographical environment,cultural environment and social environment,can see the history of uygur folk songs change and the uniqueness of the generated material base,this part simply reviews the history of the Uighur and evolution process and the relationship between Uighur folk songs.In the unique ethnic history of uygur ethnic group,the history and culture of uyghur ethnic group are complicated and multivariate.Uighur history of communication and the surrounding area is not clear,to refer to history and central Asia turkic race,and part of the intersection and tubo history and the history of Mongolian intersection,it is the silk road brought this ethnic conflict in the region and the historical transformation,finally established the modern face of the modern Uighur.Given that the focus of the research on the relationship between folk songs and culture,which mainly explores the uygur dance culture,music culture,costume culture,religious culture,etiquette culture and diet culture influence on folk culture.The second chapter explains "the literary characteristics of Xinjiang uygur folk songs".Uygur folk literature characteristic mainly reflects in the uygur folk song unique characteristics and syllable,rhyme verse form,and the uniqueness is the outcome of literature communication and the surrounding area,the influx of western poetry form and Oriental charm,the corresponding uygur folk song was born in neat formation structure,behind in neat formation has its own literary imagination,formed an ethnic characteristics of rhyme,rhythm and sentence structures.The mutual reference and supplement of uygur poetry and folk songs have brought new impetus to the development of uygur folk songs.Uygur folk rhyme is characterized by combining with the characteristics of uygur folk GeChangXing,contains the symmetry of singing,a flowing,rhythm and so on,and cooperate with the uygur folk music,dance,rhythm,and formed the organism to combine with singing and dancing.The two-line structure and the four-line structure of uygur folk song lines and their variants embody the poetic characteristics of uyghur folk songs.The uygur folk songs introduced the special words into the folk songs,which greatly enriched the connotation of uygur folk songs,making the short folk songs more vivid and vivid.Uygur folk songs is not only with the word also use lining,the lining is in the whole period of the lyrics of the song and again sing a word or a little shorter than ZhengGou,folk artists often use the lining other extension singing time delay function,improve lyrical flavor,this is uygur folk artists to sing folk songs and create a unique art form.The third chapter continues to explain "the characteristics of Xinjiang uygur folk songs".From the perspective of literature,the lyrics of uygur folk songs are also like other folk songs.They are good at using the traditional art method of bixing and have their own artistic imagination characteristics.Uygur folk songs using "than" the most folk song,the lyrics with the Xinjiang region unique things than people,or with the help of a special scenery than feelings,so as to make the folk songs of the more distinctive,unique artistic image,to express the feelings of the more vivid.It also USES the method of "inverse ratio",which expresses the opposite image of emotion by means of certain specific objects,so as to enhance the artistic image of "bi".Uygur folk songs use the technique of "xing" to "xing" and "xing",and "xing".The objects,scenes and emotions are the material,scenery and emotion of xinjiang.In particular,the relationship between men and women is more intense and unrestrained,which is the most prominent place for uygur folk songs.Xinjiang uygur folk songs also form a relatively stable series of literary images,which is one of the most distinctive features of xinjiang uygur folk songs,Uygur folk songs love the image of flowers and flowers,and the flower is an important image group of uygur folk songs,which represents the literary image and is also an important image for the beauty of the western region.Uighur areas of life,colorful natural scenery image,northern xinjiang hami and turpan,urumqi-changji area,ili area each are not identical,southern Xinjiang uygur life hotan,kashi,aksu populated area is not the same,this is the regional natural scenery bring distinctive local characteristics.Snow mountain,desert,gobi,river,pamir and so on become the specific literary image into the folk song,and become the regional literary image fixed form.Animals,plants use common image series,this animal sheep,horses,camels,eagle,falcon and plants of pomegranates,grapes,almonds,apple is uygur folk music is an important part of the image,through these images to express what they need specific emotions.The unique image is the unique cultural embodiment,through careful analysis to find these images conveyed the ethnic aesthetic trend and purport.The fourth chapter discusses the "cultural characteristics of Xinjiang uygur folk songs".Uygur folk songs are one of the representatives of their ethnic culture,which contains rich cultural details.Today we see the faces of Uighur culture,because in the long history of its evolution,the lack of specific detail records of life,a lot depends on existing folk literature and one of the few literary works and other relevant information to know.Folk literature,folk songs is important of which Uighur culture carrier,from the religious beliefs of religious songs,for example,you can see the evolution of the different historical period of religious beliefs,through the daily weddings folk know important ritual formalities,and so on.Contains a lot of material in the Xinjiang uygur folk folk,reflects the Uighur life early nomadic production of all kinds of way of life,contains the migratory songs and put the pastoral song,hunting,etc.;The folk customs of uyghur people can be analyzed from folk songs in order to find out the folk customs in other regions.From a grander perspective,the internal differences bring about the complexity of the region and also distinguish it from the folk customs of other regions.Xinjiang uygur folk custom is the most characteristic part,also is the uyghur culture symbol’s prominent representative,also can manifest the uygur culture the unique temperament most.Uighur early religion is not a single,later became the dominant religion of Islam,it will inevitably affect the content and form of folk songs,islamic from now mainly islamic festivals in the folk songs,eid al-adha,id al fitr,LuZi section etc.Appeared due to the change of religious form,content of different religious ritual songs,like song series,Ramadan and manichaeism,buddhist songs,injected polyhedral into the uygur folk religious and cultural factors.The fifth chapter elaborates " The performance nature of multiple and comprehensive folk songs in Xinjiang Uygur ".Uygur folk songs can not completely solve the cultural essence of uygur folk songs from the perspective of text.Uygur folk songs with both traditional folk song singing,dancing,music,the original meaning,also have the Uighur unique performing style,check all uygur folk art value,only from the multiple artistic concept of overall can accurately grasp the unique implication of uyghur folk songs.According to the field survey of uygur folk songs,the performances of uygur folk songs vary from region to region.Some places such as hotan region,also pay attention to the comprehensive songs,music,dancing,performing,but the most prominent is still retains the original meaning,especially folk performances of a particular party dress is not the same as other regions.And kashgar region folk performances more shows the silk road town of open and inclusive,unique dance is a reflection of the most important,have the auspicious sha,yarkand,yopurga region twelve mukam music to participate in performances,folk songs have stylized forms of music and uygur folk songs together,embodies the nature of the music.The original connotation of uygur folk songs is also reflected in the site of the exhibition and the original ecology of the background,which has both the original ceremonial beauty and the pious religious connotation.There are also complex multi-ethnic compatible music,dance form,the original concept of harmony between nature and man,nature and human harmony.and other aesthetic appreciation from the modern noise.The modern performance of uygur folk songs in xinjiang is performed in the carnival style of the large maxi laifu.It contains rich content of folk songs,and combines the traditional and modern elements of music,dance and costumes.From the ancient form of maxi,because of the addition of modern music elements,dance elements,clothing elements more and more unique.As the change of The Times,the Uighur people many has entered the town started a new way of life,also brought the new change of uyghur folk song uygur folk performance pay more attention to the pluralistic art together,the unique culture of arteries and veins to adaptation.