| The article inspects the relationship between the Tibetan heroic epic and the Tibetan culture as well as the whole Chinese culture from the angle of the Maxism's practice theory and the cultural-anthropology, explores the basic essence of the multi-dimensional centripetal structure of the Chinese culture and the cause of its formation. There is a strong connection between the multi-dimensional centripetal structure and the pattern of multiple-integration of Chinese nation. However, a nation and its culture are not same things. The former has to be confined to a certain region, but the latter can spread out all over the world. A nation can absorb the culture of other nations. The culture of every nation is a multiple compound. In a multinational unified country as China, the culture of every nation has both its own distinctive individuality and vast developing space. It also has a indivisible association with the mother's body of the Chinese culture as a whole. From the point of view of the multi-dimensional structure of the Chinese culture, every nation has its own cultural tradition, religious belief, custom and habit. They are all meat and blood of the Chinese cultural body and components of it. From the centripetal angle, the Chinese culture of different nations, vastly distributed in the regional space, has the same cultural psychological structure on which the widespread identification with one another is founded. Promoting national unity of their own free will, safeguarding the national unification, the people's patriotism of every nation comes from the above-mentioned structure and identification spontaneously. "The multi-dimension" and "the centripetal" are the two aspects of the same subject. The serious deviation and error will occur if we pay attention to only one of the two aspects while regardless of the other.Founded on the local culture, the Tibetan culture as an important part of the Chinese culture, absorbing many other Nation's cultural elements, has taken today's shape gradually. Being taken account of the material factor , ideology and behaviour, the Tibetan culture has its own distinctive character and is included in the generality of the Chinese mother culture at the same time. Safeguarding the national unity and unification has been the theme of the region since Tibet merged into its motherland's territory at Yuan Dynasty. Recognized from both positive and negative historical experience, a powerful and unified motherland benefits both the Chinese Nation as a whole and Tibetan peopleregionally. The article has expounded and proved it through the analysis of and certain cultural phenomenon (such as historical literature) since the Tubo Dynasty. is an encyclopedia of the Tibetan culture. It is also a treasured book of the Chinese culture. It emerged in the Tibetan plateau one or two thousand years ago, bearing a marked brand of corresponding times as it handed down to generations. It reflects not only the great course from splitting to reunification of the Tibetan plateau, but also the relationship between the Tibetan plateau and central plains since Yuan Dynasty. It sings the praises of unity and friendship among the nationality of Han, Tibetan and other nations. The article puts the under the prism of the Chinese culture and makes a preliminary exploration of its rich culture connotation.The article falls into five sections. The "Beginning", combining with such cultural phenomenon as , discusses the basic character of human culture, raises the proposition of "multi-dimensional centripetal structure of the Chinese culture" and deals with the formative cause of the culture structure from "need" and "communion" point of view. The chapter 1 is about the special of the Tibetan culture in which the generality of the Chinese culture is embodied from the viewpoint of natural geographical environment, the expression of the culture and the relations with the culture of other nations. The chapter 2 expounds on the fundamental cause of the Tibet... |
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