Aesthetic Analysis Of The Use Of Tearing Sound In The Creation Of Sound Language

The study of verbal language,is concerned about the "people".Tearing sound,as a symbolic artistic way of rock music singing,is widely used in vocal language creation,forming a distinctive artistic style and bringing people a new aesthetic feeling.However,the research on the artistic use of this sound has not yet appeared.Under the new situation,with dragonfly FM,lychee FM and other radio apps entering the public life,new media audio programs such as "reading poetry for you" and "Uncle Kai telling stories" have attracted wide attention.Excellent language programs such as "king of poetry","reader" and "sound in its place" are constantly emerging.Recitation competitions such as "Xia Qing Cup" and "Qi Yue Festival" have become more and more influential,and the requirement to enhance the aesthetic attribute of the spoken language works is also increasingly strong.Therefore,the creation of sound language analysis and aesthetic study of the use of tearing sound phenomenon,has the vital significance.In this context,the aesthetic analysis of tearing sound in sound language creation,through the four chapters of the generation and definition of torn sound,the application analysis of the use of torn sound in the creation of sound language,the aesthetic generation mechanism of torn sound,and the aesthetic characteristics of torn sound.By means of phonetics experiment,the generation of tearing sound and the difference between tearing sound and broken sound and noise are explored,and the tearing sound is defined.and analyzes tearing sound.To summarize the specific characteristics of the use of tearing sounds,analyzes the typical works of ripping sound in recitation,drama performance,character dubbing in film and television drama,novels and storytelling,and obtains the diversified functions of ripping sound in different sound language art forms.By using the theory of oral aesthetics,explore the physiological effect of the aesthetic sense of tearing sound,explore the generation of the aesthetic emotion of tearing sound from the perspective of aesthetic psychology,and try to analyze the generation of the aesthetic feeling of tearing sound by using the theory of heterogeneity and isomorphism.Under the "crazy" of Chinese classical aesthetics category,it conclusion tearing sound performance in breathe and voice,modality,spiritual essence of aesthetic features,from the border and the fusion,physical concept and subject value from two aspects,reveals the tearing sound of the audio language aesthetics,bring innovation under the new situation of the audio language of revelation.