Research On The Creation Of Xinjiang Style Piano Works

The creation of Xinjiang music style piano music now originated in the 1940s or so,it was " Kazakh dance music" created by Mr.Xi xinghai using Kazakh ethnic music materials.After the founding of New China,with the maturity of composing techniques,it advocated the creation of music style works of its own nation.The creation techniques experienced from imitating western composing techniques to learning from western composing techniques and at the same time integrating the characteristics of Chinese national music.It boldly explored and innovated in the creation of national music.Xinjiang's ethnic music has a unique style and is full of exotic customs.Mr.Wang Guangqi has proposed that " the world's three major music systems" include Huaxia(China)music system,Persian-Arab music system and European music system,while Xinjiang region,which is located in China,has clear manifestation of the three major music systems.Xinjiang is located in the western part of our country and borders Russia,India,Kazakhstan and other countries.Since ancient times,Xinjiang has been an important " big stage" for cultural exchanges between the East and the West.Due to its special geographical location and numerous nationalities,Xinjiang has absorbed many cultures such as Chinese culture,Islamic culture,European culture and so on,forming a music culture with distinct personality,strong style and outstanding characteristics.Therefore,they have attracted the attention of a large number of composers and pianists.Starting from Xinjiang's unique music style,they have created a large number of outstanding Xinjiang-style piano works,standing on the " shoulders" of European composing technology theory and Chinese pentatonic modes.Combining western composition techniques with Xinjiang's ethnic elements,on the basis of learning and using traditional composition techniques,a large number of Chinese ethnic music features are absorbed and applied,so that western composition techniques are combined to create local music style works with Chinese ethnic music features.This article is divided into five chapters.The first chapter is the introduction,which summarizes the research purpose,significance,current research situation,research methods,related research status and existing achievements of Xinjiang style piano music.The second chapter mainly introduces the biographies of the four composers,the creation background of Xinjiang style piano music and the introduction zmelody development techniques,it is analyzed that Xinjiang style piano works are created by absorbing and combining western composing techniques(such as repeated pronunciations),Chinese ethnic music characteristics(ethnic pronunciations),and Xinjiang local ethnic music characteristics(application of decorative notes).The fourth chapter,mainly from the rhythm,analyzes the rhythm characteristics of Xinjiang style and how it is applied in piano works.The fifth chapter mainly analyzes and studies the chord structure and the characteristics of harmonic progression.The sixth chapter is to analyze and explain the mode and tonality of the works as well as various transfer methods.Finally,the conclusion summarizes the 7 works and analyzes their internal and external connections and music characteristics.Through the analysis and discussion of the above-mentioned aspects,this article hopes to have a deeper understanding of the application,development and innovation of composing techniques in our national music,the profound significance of our national music,and the individuality and generality of composers in different eras.